Similar
Edison's Greatest Marvel-The Vitascope - Restoration
Advertisement Poster: Vitascope
The literary digest (1890) (14597343157)
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Mutoscope, 1899 (bis) - An old advertisement for the mutoscope machine
1911 circa Werbung A. Engelmann & Co. Hannover, Mechanische Seilfabrik, Transmissions-Seile, Drahtseile
Space station model, NASA history collection
Electric railway journal (1918) (14761212402)
Related
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's greatest marvel--The Vitascope, Motion Picture Theaters
Edison's Greatest Marvel-The Vitascope - Restoration
Edison 's big generator, 12/10/14
Edison 's big generator, 121014
Edison's Greatest Marvel-The Vitascope - Original
Summary
Edison's Greatest Marvel--The Vitascopelabel QS:Len,"Edison's Greatest Marvel--The Vitascope"
Poster for The Vitascope showing a movie audience watching a large screen with women dancing on it. Scene from New York.
Lithographic colour poster, Height: 97 cm (38.1 in); Width: 73 cm (28.7 in)dimensions QS:P2048,97U174728
dimensions QS:P2049,73U174728
29057B U.S. Copyright Office
By 1908 there were 10,000 permanent movie theaters in the U.S. alone. For the first thirty years, movies were silent, accompanied by live musicians, sound effects, and narration. Until World War I, movie screens were dominated by French and Italian studios. During Great War, the American movie industry center, "Hollywood," became the number one in the world. By the 1920s, the U.S. was producing an average of 800 feature films annually, or 82% of the global total. Hollywood's system and its publicity method, the glamourous star system provided models for all movie industries. Efficient production organization enabled mass movie production and technical sophistication but not artistic expression. In 1915, in France, a group of filmmakers began experimenting with optical and pictorial effects as well as rhythmic editing which became known as French Impressionist Cinema. In Germany, dark, hallucinatory German Expressionism put internal states of mind onscreen and influenced the emerging horror genre. The Soviet cinema was the most radically innovative. In Spain, Luis Buñuel embraced abstract surrealism and pure aestheticism. And, just like that, at about its peak time, the silent cinema era ended in 1926-1928.