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Related
An original cabin (compare this photo with those of cabins vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
The former recreation hall (repainted and vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
A migrant's shack (repainted and vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
A migrant's shack (repainted and vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
A migrant's shack (repainted and vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
A migrant's shack (repainted and vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
An outbuilding of the former Weedpatch camp south of Bakersfield, California
Vintage car in Weedpatch, a town just south of Bakersfield, California
Building an auto trailer in a squatter camp. Outskirts of Bakersfield, California
An original cabin (compare this photo with those of cabins vastly renovated in the early 2000s) in the former Weedpatch camp, south of Bakersfield, California
Summary
Title, date, and keywords provided by the photographer.
Weedpatch Camp, a "rescue camp" for distressed migrant workers, whom some disparagingly called "Okies," who had fled Dust Bowl conditions in the Great Plains. The camp was also referred to as the Sunset Camp and was officially known as the Arvin Federal Government Camp. Author John Steinbeck called it "Weed Patch Camp" in his novel, "The Grapes of Wrath."
Credit line: The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division.
Gift; The Capital Group Companies Charitable Foundation in memory of Jon B. Lovelace; 2012; (DLC/PP-2012:063).
Forms part of: Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.
In 2015, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge. In 2016, Highsmith has filed a $1 billion copyright infringement suit against both Alamy and Getty stating “gross misuse” of 18,755 of her photographs. “The defendants [Getty Images] have apparently misappropriated Ms. Highsmith’s generous gift to the American people,” the complaint reads. “[They] are not only unlawfully charging licensing fees … but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” According to the lawsuit, Getty and Alamy, on their websites, have been selling licenses for thousands of Highsmith’s photographs, many without her name attached to them and stamped with “false watermarks.” (more: http://hyperallergic.com/314079/photographer-files-1-billion-suit-against-getty-for-licensing-her-public-domain-images/)