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Related
Alison Lee, stage name Helene Lineva and star of the Original Ballet Russe, 1939-1940, posing in the studio, Sydney - photographer Max Dupain (5492379895)
Rachel Cameron and Henry Legerton in the Kirsova Ballet Les Sylphides, Max Dupain Studio, Sydney, between 1941-1944 - photographer Max Dupain (5728216631)
Helene Kirsova, ballerina, ca. 1941 - photographer Bitter-Jeppesen Studios, Melbourne (4439479907)
Artist Daryl Lindsay with Ballets russes dancers Betty Souvorova and Alosha, 31 January 1937, Moombara, Sydney - photographer Margaret Allen, later Baroness Gifford (10076474253)
Emmy Towsey (Taussig) and Evelyn Ippen, Bodenwieser Ballet in Centennial Park, Sydney, ca. 1939 - Max Dupain (3527966424)
Olga Spessiva, prima ballerina, and the Dandre-Levitoff Company, Sydney, 1934 - photographer Sam Hood (4463767736)
Olga Spessiva, prima ballerina, and the Dandre-Levitoff Company, Sydney, 1934 - photographer Sam Hood (4462991533)
Adelina de Lara, concert pianist, Sydney, 1900 - photograph by Talma Studios (4272639381)
Tamara Tchinarova (later the first wife of Peter Finch) in the ballet Les Presages, Sydney, between 6 Dec 1936-Jan 1939 - studio photograph by Max Dupain (6068761108)
Alison Lee, stage name Helene Lineva and star of the Original Ballet Russe, 1939-1940, posing in the studio, Sydney - photographer Max Dupain (5492973802)
Summary
For Biographical information, see: dancelines.com.au/research/alison-lee/
Format: Negative
Find more detailed information about this photograph: 421048
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From the collection of the State Library of New South Wales
Max Dupain (1911-1992) was an Australian photographer who is considered one of the most important figures in the history of Australian photography. He was born in Sydney and began his career as a commercial photographer in the 1930s. Dupain's work is known for its modernist style, which emphasises bold lines, stark contrasts and geometric forms. He was particularly interested in capturing the Australian landscape and its people, and his photographs often feature images of beaches, buildings and everyday life in Australia. Dupain's most famous photograph is 'Sunbaker', taken in 1937, which has become an iconic image of Australian culture. The photograph shows a man lying on the beach, his head resting on his arms, his body turned towards the sun. The image has been interpreted as a celebration of the Australian way of life and has become a symbol of the country's identity. Throughout his career, Dupain received numerous awards for his work, including the Order of Australia in 1982. He continued to work as a photographer until his death in 1992, leaving behind a legacy of images that continue to inspire and captivate audiences today.
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