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Topic: way

1002
1002
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2018
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2018
11,808 media by topicpage 1 of 119
Muhammad, mounted on Burâq accompanied by Jibrîl and host angels, rises to the heavens on his way to al-Masjid al-Aqsâ.

Muhammad, mounted on Burâq accompanied by Jibrîl and host angels, rise...

Life of the Prophet Muhammad written at the order of the Mamluk sultan al-Mansûr 'Alâ' al-Dîn 'Alî (d. 778/1376). The work was first illustrated during the reign of the Ottoman sultan Murâd III.

Muhammad, mounted on Burâq accompanied by Jibrîl and host angels, rises to the heavens on his way to al-Masjid al-Aqsâ.

Muhammad, mounted on Burâq accompanied by Jibrîl and host angels, rise...

Life of the Prophet Muhammad written at the order of the Mamluk sultan al-Mansûr 'Alâ' al-Dîn 'Alî (d. 778/1376). The work was first illustrated during the reign of the Ottoman sultan Murâd III.

The young Siyâvush, son of Kay Kâ'ûs, on his way from Zâbulistân to his father's court with his army is showered with gold and ambergris by the people.

The young Siyâvush, son of Kay Kâ'ûs, on his way from Zâbulistân to hi...

Life of the Prophet Muhammad written at the order of the Mamluk sultan al-Mansûr 'Alâ' al-Dîn 'Alî (d. 778/1376). The work was first illustrated during the reign of the Ottoman sultan Murâd III.

Iskandar and Khizr (on a mule), both holding shining globes that light their way through the gloom, ride towards the Fountain of Life.

Iskandar and Khizr (on a mule), both holding shining globes that light...

Life of the Prophet Muhammad written at the order of the Mamluk sultan al-Mansûr 'Alâ' al-Dîn 'Alî (d. 778/1376). The work was first illustrated during the reign of the Ottoman sultan Murâd III.

Christ and the Apostles on the way to Emmaus

Christ and the Apostles on the way to Emmaus

Peter Flötner (German, Thurgau 1485–1546 Nuremberg)

Triptych with The Way to Calvary, Crucifixion, and Descent from the Cross

Triptych with The Way to Calvary, Crucifixion, and Descent from the Cr...

Atelier of Jean Pénicaud I (French, ca. 1490–after 1543) Made in Limoges, France

Speculum Romanae Magnificentiae: Temple near the Appian Way

Speculum Romanae Magnificentiae: Temple near the Appian Way

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafre... more

The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ

The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted w...

This group was presumably part of a series of the Stations of the Cross incorporated into an altarpiece. Made in Brussels, Netherlands

The Drunken Man on a Chariot on his Way to Hell, from Hymmelwagen auff dem, wer wol lebt...

The Drunken Man on a Chariot on his Way to Hell, from Hymmelwagen auff...

Hans Schäufelein (German, Nuremberg ca. 1480–ca. 1540 Nördlingen)

The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem, wer wol lebt...

The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen a...

Hans Schäufelein (German, Nuremberg ca. 1480–ca. 1540 Nördlingen)

The Way to Emmaus

The Way to Emmaus

After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

Plate 5: Psyche, seated, being taken to a mountain with a musical troupe lead the way, from the Story of Cupid and Psyche as told by Apuleius

Plate 5: Psyche, seated, being taken to a mountain with a musical trou...

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano. Master of the Die (Italian, active Rome, ca. 1530–60)

Abraham and Isaac on the way to Sacrifice

Abraham and Isaac on the way to Sacrifice

Hieronymus Cock (Netherlandish, Antwerp ca. 1510–1570 Antwerp)

Christ on the Way to Calvary

Christ on the Way to Calvary

After Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)

Christ and the Disciples on the Way to Emmaus

Christ and the Disciples on the Way to Emmaus

After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels)

The Encounter on the Way to Emmaus

The Encounter on the Way to Emmaus

Painting attributed to Franz Fallenter (active 1612–16)

Entry of the animals into Noah's ark, three men follow quadrupeds and birds striding toward the ark in the background, another male figure points the way

Entry of the animals into Noah's ark, three men follow quadrupeds and ...

Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts.
The Korean Ambassador on His Way to the Capital

The Korean Ambassador on His Way to the Capital

Shigenaga (1697–1756) Edo period (1615–1868)

The Korean Ambassador on His Way to the Capital

The Korean Ambassador on His Way to the Capital

Shigenaga (1697–1756) Edo period (1615–1868)

A new deceptio visus, or a guinea for a shilling. Being a curious medley, by way of letter

A new deceptio visus, or a guinea for a shilling. Being a curious medl...

Composite of images and verses to form a greeting card, folded for mailing as advertisement for Bickham's engravings.

Decoration from "Three Epistles in the ethic way. From the French of M. de Voltaire - viz., I. Happiness, II. Freedom of Will. III. Envy"

Decoration from "Three Epistles in the ethic way. From the French of M...

This image has been taken from scan 000023 from "Three Epistles in the ethic way. From the French of M. de Voltaire - viz., I. Happiness, II. Freedom of Will. III. Envy". The title and subject terms of this ima... more

Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Plate 19: Part of the ancient Appian Way about three miles outside Por...

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian...

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian...

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)

Handwriting from "Critical, Historical, and Explanatory Notes upon Hudibras, by way of supplement to the two editions published in 1744, and 1745 ... To which is prefixed, a dissertation upon burlesque poetry, by the late ... Montagu Bacon ... And an appendix added; in which is a translation of part of the first canto of the first book into Latin doggrel. MS. notes"

Handwriting from "Critical, Historical, and Explanatory Notes upon Hud...

This image has been taken from scan 000005 from "Critical, Historical, and Explanatory Notes upon Hudibras, by way of supplement to the two editions published in 1744, and 1745 ... To which is prefixed, a disse... more

Handwriting from "Critical, Historical, and Explanatory Notes upon Hudibras, by way of supplement to the two editions published in 1744, and 1745 ... To which is prefixed, a dissertation upon burlesque poetry, by the late ... Montagu Bacon ... And an appendix added; in which is a translation of part of the first canto of the first book into Latin doggrel. MS. notes"

Handwriting from "Critical, Historical, and Explanatory Notes upon Hud...

This image has been taken from scan 000006 from "Critical, Historical, and Explanatory Notes upon Hudibras, by way of supplement to the two editions published in 1744, and 1745 ... To which is prefixed, a disse... more

Handwriting from "Critical, Historical, and Explanatory Notes upon Hudibras, by way of supplement to the two editions published in 1744, and 1745 ... To which is prefixed, a dissertation upon burlesque poetry, by the late ... Montagu Bacon ... And an appendix added; in which is a translation of part of the first canto of the first book into Latin doggrel. MS. notes"

Handwriting from "Critical, Historical, and Explanatory Notes upon Hud...

This image has been taken from scan 000007 from "Critical, Historical, and Explanatory Notes upon Hudibras, by way of supplement to the two editions published in 1744, and 1745 ... To which is prefixed, a disse... more

View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane'

View of the stone pavement of the Appian Way (Veduta dell'antica Via A...

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)

Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichità Romane'

Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepo...

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)

View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., from Le Antichità Romane, tome 3, tavola 15

View of a large structure, remains of the Tomb of the Metelli on the A...

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)

A Rest by the Way (Open Landscape with Figures, Donkey and Horses)

A Rest by the Way (Open Landscape with Figures, Donkey and Horses)

Using brown wash defined by a pen strokes, Gainsborough constructs a landscape from a few elements--a traveler sits on a bank near his dog and loaded donkey, trees border a path, and a rider moves into the dist... more

Which Way Shall I Turn Me? How Can I Decide?

Which Way Shall I Turn Me? How Can I Decide?

Thomas Rowlandson (British, London 1757–1827 London)

The way to keep him as perform'd at the Richmond Theatre &c. Act V

The way to keep him as perform'd at the Richmond Theatre &c. Act V

"Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart)..." (Source: George)

The way to keep him, or the female flagellants attacking the platonic hero at the Richmond Theatre / designed by Whim ; exectued by Satire.

The way to keep him, or the female flagellants attacking the platonic ...

Print shows a smiling man, "platonic love", on one knee as three women beat him with whips made of bulrushes(?); on the wall in the background are two portraits, "The Maid of Drury" and "The Maid of the Oaks." ... more

Portraits of Jean-Baptiste-Joseph Gobel (1727-1794), Bishop of Paris in 1792-93, and Pierre-Gaspard Chaumette (1763-1794), Procurator of the Commune in 1792, sketched on the way to the guillotine, April 12, 1794.

Portraits of Jean-Baptiste-Joseph Gobel (1727-1794), Bishop of Paris i...

baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II)

Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), Pr...

baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

Papa reads this way

Papa reads this way

Girl lying on sofa and looking at newspaper. Photoprint copyrighted by W.N. Gatch. This record contains unverified data from caption card.

Knife with Ornamental Handle, from the Way to Chirurgerie
The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta

The Island of L'Anconetta, on the Way to Mestre, with the Church of La...

This is one of series of drawings, all in pen and ink, and gray wash, that formed part of an album housing forty-eight views of Venice and the surrounding islands. Recognizing the market incentive to produce r... more

An analysis of country dancing: wherein are displayed all the figures ever used in country dances, in a way so easy and familiar, that persons of the meanest capacity may in a short time acquire (without the aid of a master) a complete knowledge of that rational and polite amusement. To which are added, instructions for dancing some entire new reels; together with the rules, regulations, and complete etiquette of the ball room.

An analysis of country dancing: wherein are displayed all the figures ...

This is the first of several books published by Wilson on the subject of English country dancing. Performed as a series of figures by a column of men facing a column of women, the English country dance was one ... more

map from "A Narrative of a Voyage to Surinam; of a residence there during 1805, 1806 and 1807, and of the author's return to Europe by the way of North America"

map from "A Narrative of a Voyage to Surinam; of a residence there dur...

This image has been taken from scan 000024 from "A Narrative of a Voyage to Surinam; of a residence there during 1805, 1806 and 1807, and of the author's return to Europe by the way of North America". The title... more

Plate 70  from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not know the way.' (No saben el camino.)

Plate 70 from 'The Disasters of War' (Los Desastres de la Guerra): 'T...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 1 from 'The Tauromaquia': The way in which the ancient Spaniards hunted bulls on horseback in the open country

Plate 1 from 'The Tauromaquia': The way in which the ancient Spaniards...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 13 from the 'Disparates': A Way of Flying

Plate 13 from the 'Disparates': A Way of Flying

From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 2 of the 'Tauromaquia': Another way of hunting on foot

Plate 2 of the 'Tauromaquia': Another way of hunting on foot

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)