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Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex] vocum ex optimis quibusq[ue] musicis selectarum

Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...

For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Modvlationvm, quinque vocum liber secvndvs - renaissance music

Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...

Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.

Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori moderatoris, Modvlationvm quinque vocum, nvnc recens in lvcem prodevntivm liber primvs
Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Tertia pars magni operis musici continens clarissimorum symphonistarum tam veterum quàm recentiorum, praeipue vero Clementis non Papae, carmina elegantissima quatuor vocum

Tertia pars magni operis musici continens clarissimorum symphonistarum...

Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in Germania hactenus nihil simile usquam est editum : nunc quidem locupletatum plus centum non minus elegantibus carminibus, tum Iosquini, tum aliorum clarissimorum symphonistarum tám ueterum quám recentiorum, quorum quada[m] antehac sunt edita, multa nunc primum in lucem exeunt

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...

Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in Germania hactenus nihil simile usquam est editum : nunc quidem locupletatum plus centum non minus elegantibus carminibus, tum Iosquini, tum aliorum clarissimorum symphonistarum tám ueterum quám recentiorum, quorum quada[m] antehac sunt edita, multa nunc primum in lucem exeunt

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...

Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in Germania hactenus nihil simile usquam est editum : nunc quidem locupletatum plus centum non minus elegantibus carminibus, tum Iosquini, tum aliorum clarissimorum symphonistarum tám ueterum quám recentiorum, quorum quada[m] antehac sunt edita, multa nunc primum in lucem exeunt

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...

Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in Germania hactenus nihil simile usquam est editum : nunc quidem locupletatum plus centum non minus elegantibus carminibus, tum Iosquini, tum aliorum clarissimorum symphonistarum tám ueterum quám recentiorum, quorum quada[m] antehac sunt edita, multa nunc primum in lucem exeunt

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...

Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in Germania hactenus nihil simile usquam est editum : nunc quidem locupletatum plus centum non minus elegantibus carminibus, tum Iosquini, tum aliorum clarissimorum symphonistarum tám ueterum quám recentiorum, quorum quada[m] antehac sunt edita, multa nunc primum in lucem exeunt

Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...

Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More

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