Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Liber primvs Cantionvm sacrarvm, vvlgo moteta vocant, quinque [et sex]...
For superius, tenor, contratenor, bassus, and quinta et sexta pars. Title from svperivs part. Liber 1, 2nd ed. (1555); liber 2, 2nd ed. (1555) except contratenor and bassus parts, 1st ed. (1554); liber 3-6, 1st... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Modvlationvm, quinque vocum liber secvndvs - renaissance music
Sacred part songs. Title from cantvs part. Title vignette (printer's mark); part for quintus bears a different mark. Parts for cantus (21, [1] p.), altus (21, [1] p.), tenor (21, [1] p.), bassus (22 p.), and qu... More
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Bernardini Garvlli Calliensis, ecclesiae cathedralis Fanensis chori mo...
Sacred part songs (two for six voices). Title from cantus part. Parts for cantus, altus, tenor, bassus, and quintus (each 17, [1] p.). Parts for cantus, altus, tenor, bassus, and quintus bound in one volume.
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Tertia pars magni operis musici continens clarissimorum symphonistarum...
Principally motets. Parts for discantus, altus, tenor, and bassus. Each part contains an index of first lines. The bassus of the LC copy lacks signatures AA1-AA4, which have been supplied in a modern hand. With... More
Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...
Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More
Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...
Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More
Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...
Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More
Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...
Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More
Novvm et insigne opvs mvsicvm sex, qvinqve et qvatvor vocum, cvivs in ...
Principally motets. Title from supplied t.p. of tenor part. Parts for discantus, altus, tenor, bassus, vagans, and sexta vox. Each part contains an index of first lines. In the LC tenor part the title, the dedi... More