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Running Elephant (recto); Practice Sheet of Elephant Sketches (verso)
Front pastedown from BL Add 60577, f. i verso

Front pastedown from BL Add 60577, f. i verso

The front pastedown of the manuscript, containing many fragments of verse and proverbs in Middle English and Latin. Image taken from f. i verso of Miscellany, including an excerpt from a Latin herbal, excerpt f... More

Head of a saint from BL Add 61735, verso

Head of a saint from BL Add 61735, verso

Drawing of a saint's (or Christ's) head, Latin pen-trials and neumes. Image taken from verso of Farming memoranda of Ely Abbey. Written in English.

Hannah praying from BL Harley Roll Y.6, Verso 1

Hannah praying from BL Harley Roll Y.6, Verso 1

Drawing of Hannah praying (almost entirely illegible). Image taken from Verso 1 of Episodes from the Life of Samuel.

Verso of the note by Samuel Woodburn from BL Add 24189, f. 1v

Verso of the note by Samuel Woodburn from BL Add 24189, f. 1v

Blank verso of the note by Samuel Woodburn. Image taken from f. 1v of Illustrations for Mandeville's Travels (index Voyage d'outre mer, Itinerarium).

Fall of Dagon and ark of the covenant returned from BL Harley Roll Y.6, Verso 4

Fall of Dagon and ark of the covenant returned from BL Harley Roll Y.6...

Drawing of Dagon broken in pieces, and the Philistines returning the ark of the covenant. Image taken from Verso 4 of Episodes from the Life of Samuel.

Battle scene and the ark of the covenant from BL Harley Roll Y.6, Verso 3

Battle scene and the ark of the covenant from BL Harley Roll Y.6, Vers...

Drawing of the Israelites battling the Philistines, the Philistines taking the ark of the covenant, the slaying of Eli's sons, the death of Eli, and the bringing of the ark into the house of the pagan god, Dago... More

Back fly leaf vii verso from BL YT 10

Back fly leaf vii verso from BL YT 10

Back fly leaf vii verso. Image taken from back fly leaf vii verso of Apocalypse (Revelation). Written in French.

Sebastian from BL YT 29, f. 132, verso

Sebastian from BL YT 29, f. 132, verso

Miniature of the martyrdom of Sebastian, and a full border with gems; signed PETRVS . PRVSINVS . PINXIT. Image taken from verso of Martyrdom of Sebastian.

Border from BL YT 29, f. 132, verso

Border from BL YT 29, f. 132, verso

Detail of a full border with gems; signed PETRVS . PRVSINVS . PINXIT. Image taken from verso of Martyrdom of Sebastian.

Archers from BL YT 29, f. 132, verso

Archers from BL YT 29, f. 132, verso

Detail of a miniature of archers from the martyrdom of Sebastian. Image taken from verso of Martyrdom of Sebastian.

Sebastian from BL YT 29, f. 132, verso

Sebastian from BL YT 29, f. 132, verso

Detail of a miniature of the martyrdom of Sebastian. Image taken from verso of Martyrdom of Sebastian.

Leaf v verso from BL YT 10, back fly leaf v verso

Leaf v verso from BL YT 10, back fly leaf v verso

eaf v verso. Image taken from back fly leaf v verso of Apocalypse (Revelation). Written in French.

Back fly leaf vi verso from BL YT 10

Back fly leaf vi verso from BL YT 10

Back fly leaf vi verso. Image taken from back fly leaf vi verso of Apocalypse (Revelation). Written in French.

y leaf i verso from BL YT 10, nt fly leaf i verso

y leaf i verso from BL YT 10, nt fly leaf i verso

y leaf i verso. Image taken from nt fly leaf i verso of Apocalypse (Revelation). Written in French.

Image from BL YT 13, f. ii verso

Image from BL YT 13, f. ii verso

Image taken from f. ii verso of Book of Hours, Use of Sarum ('The Taymouth Hours'). Written in Latin and French.

Verso of border from BL Add 21412, ff. 81-94*, ff. 81a-f verso

Verso of border from BL Add 21412, ff. 81-94*, ff. 81a-f verso

verso of dismembered montage of a historiated border. On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'. Image tak... More

The life of John the Baptist, scenes 6-9 from BL Add 42497, verso

The life of John the Baptist, scenes 6-9 from BL Add 42497, verso

A frieze with a frame and foliate border beneath, containing scenes from the life of John the Baptist: (6) John brought before Herod and Herodias; (7) John in prison; (8) Salome dancing before Herod and Herodia... More

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)
Image from BL YT 13, f. i verso

Image from BL YT 13, f. i verso

Image taken from f. i verso of Book of Hours, Use of Sarum ('The Taymouth Hours'). Written in Latin and French.

Coloured initials from BL Harley 3944, f. 1* verso

Coloured initials from BL Harley 3944, f. 1* verso

Coloured initials. Image taken from f. 1* verso of Service book, fragment. Written in Latin.

Decorated initial from BL Harley 828, f. i verso

Decorated initial from BL Harley 828, f. i verso

Large initial 'C' in blue and red, with pen-flourishing in the same colours. Image taken from f. i verso of Alphabetical list of plants and their uses. Written in Latin.

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)
Back fly leaf verso from BL YT 13

Back fly leaf verso from BL YT 13

Back fly leaf verso Image taken from back fly leaf verso of Book of Hours, Use of Sarum ('The Taymouth Hours'). Written in Latin and French.

Blank folio f.233, miniature on verso. from BL Royal 2 B VII, f. 233

Blank folio f.233, miniature on verso. from BL Royal 2 B VII, f. 233

Blank folio f.233, miniature on verso. Image taken from f. 233 of Psalter ('The Queen Mary Psalter'). Written in Latin, with French image captions.

Flyleaf verso from BL Harley 4431, f. 1v

Flyleaf verso from BL Harley 4431, f. 1v

Flyleaf verso. Image taken from f. 1v of Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (... More

Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso)
Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)

Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)

attributed to Domenico Veneziano (Italian, active by 1438–died 1461 Florence)

Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso)
Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)
Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso)
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso)
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso)
Vittore Carpaccio - Saint Jerome (recto); Soldier with a Spear (verso)
Two prints: The Crucifixion on recto and Christ Bearing the Cross on verso, from The Passion
The Annunciation (recto); Faint View of Buildings (verso)
Studies after the Antique: The Fall of Phaëthon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso)
Anatomical Studies of a Leg (recto); Study of a Leg (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso)
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso)
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)
Giovanni da Udine, Giovanni dei Ricamatori - Bird Eating Grapes (recto); Tigress (verso)
Giovanni da Udine - Sketchbook Sheet of Ornamental Studies, (recto and verso)
Landscape (recto); Landscape (verso)
Landscape (recto); Landscape (verso)
Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso)
Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso)
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso)
Young Man Standing in Profile Facing Left (recto); Sketch of Two Capitals (verso)
Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso).
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso)
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso)
S. Giovanni Laterano, Centocelle, plan (recto) S. Giovanni Laterano, Centocelle, section (verso)
S. Costanza, drum, interior, elevation; column shafts, profiles; narthex, section; stair, detail plan (recto) stair, plans; window, elevation (verso)
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso)
Saint Bartholomew (recto); Study of Drapery and Two Hands (verso)
The Sense of Hearing; verso: light sketch of a woman's head and an arm
Unidentified, funerary altar, plan and elevations (recto) S. Giovanni Laterano, Oratorio della Santa Croce, paneling, elevation (verso)
Studies for Apollo and Daphne, Zeus and Juno, Orpheus and Eurydice and other figures (recto and verso)
St Peter's, dome, model, half elevation (recto) blank (verso), anonymous French 16th century
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso)
Unidentified, Doric cornice, elevation; Theater of Marcellus, Doric cornice, elevation (recto) Unidentified, cornice, elevation (verso)
Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (Recto). Studies for Chapels and Portals (Verso).
Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso).
Pantheon, door elevation and details (recto) Pantheon, pilaster capital profile and projected elevation, column diagram, bronze door detail (verso)
St. Peter's, drum, exterior bay, elevation with details (recto) St. Peter's, drum, section (verso)
Domus Aurea, unidentified, grotteschi, details (recto) blank (verso), anonymous French 16th century
Court Cupboard (recto); Half-page of rectangles, numbered and lettered (verso)
Composite capital, plan, elevation, and details; frieze, detail (recto) Forum of Nerva, entablature and attic, profiles; portico, perspective, and cornice, profile (verso)
St. Peter's, plan (recto) blank (verso), anonymous French 16th century
Palazzo Caffarrelli-Vidoni, elevation; details (recto) blank (verso)
Unidentified, Ionic capital, elevation (recto) blank (verso), anonymous French 16th century
Unidentified, ceiling plan (recto) Pont du Gard, perspective elevation (verso)
Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Palazzo Salviati-Adimari elevations (recto) Villa Farnesina stables, plan and section; drawing of a screw (verso)
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
St. Peter's, apse, window, elevation (recto) Unidentified, portal, elevation (verso)
Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso)
Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso).
S. Andrea via Flaminia, elevation (recto) blank (verso)

S. Andrea via Flaminia, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Palazzo Farnese, section (recto) blank (verso)

Palazzo Farnese, section (recto) blank (verso)

Drawn by Anonymous, French, 16th century

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