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Topic: stage

1495
1495
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2017
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2017
7,195 media by topicpage 1 of 72
Paris france ballet, people.

Paris france ballet, people.

Find the best copyright-free images of beautiful women. Download all photos, art posters, and prints: images you can use without copyright restrictions, even for commercial purpose.

Firedancer flame hot, people.

Firedancer flame hot, people.

Fire. Free images of fire. Use free photos of fire flames without any copyright restrictions.

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Set...

The exquisite small sketch of a tondo on the recto of the Metropolitan sheet was undoubtedly intended for a medal on a theatrical costume, therefore perhaps related in theme to the verso sketches for the stagin... more

Project for Decoration (Stage Setting)

Project for Decoration (Stage Setting)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Facade (for Stage Setting)

Facade (for Stage Setting)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Court Yards (Sketch for Stage Scene ?)

Court Yards (Sketch for Stage Scene ?)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Architectural Design or Stage Set for the Colonna Family

Architectural Design or Stage Set for the Colonna Family

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Facade (for Stage Setting)

Facade (for Stage Setting)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Arcade in the Balustrade (Stage Setting?)

Arcade in the Balustrade (Stage Setting?)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Project of Altar Decoration (Stage Setting ?)

Project of Altar Decoration (Stage Setting ?)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Facade (for Stage Setting)

Facade (for Stage Setting)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Stage design for L'Ortensio, 1589

Stage design for L'Ortensio, 1589

Print shows the design for the stage, and a street scene for l'Ortensio by Alessandro Piccolomini.

Frontispiece for the comedy 'The Buffoons' (Li Buffoni), a set on stage resembling a public space, various figures dancing around two people in cages in center stage, fifteen spectators below

Frontispiece for the comedy 'The Buffoons' (Li Buffoni), a set on stag...

Stefano della Bella (Italian, Florence 1610–1664 Florence)

Frontispiece for the comedy 'The Buffoons' (Li Buffoni), a set on stage resembling a public space, various figures dancing around two people in cages in center stage, fifteen spectators below

Frontispiece for the comedy 'The Buffoons' (Li Buffoni), a set on stag...

Stefano della Bella (Italian, Florence 1610–1664 Florence)

Title page for 'The Child Nino' (Il Nino Figlio), a stage with the curtain drawn, the coat of arms of the duke of Modena at top center, spectators below

Title page for 'The Child Nino' (Il Nino Figlio), a stage with the cur...

Stefano della Bella (Italian, Florence 1610–1664 Florence)

Study for a Stage Set

Study for a Stage Set

Jacques de Lajoüe (French, Paris 1686–1761 Paris)

Design for Stage Set

Design for Stage Set

Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797)

Interior of Temple, Design for Stage Scene

Interior of Temple, Design for Stage Scene

Anonymous, Italian, 18th century

Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Design for Stage Set

Design for Stage Set

Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797)

Design for a Stage Set with a Monumental Arcaded Courtyard.

Design for a Stage Set with a Monumental Arcaded Courtyard.

Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin) , Attributed to.

Archways, Design for Stage

Archways, Design for Stage

Anonymous, Italian, 18th century

Interior of an Octagonal Room (Stage Design?)

Interior of an Octagonal Room (Stage Design?)

Tranquillo Orsi (Italian, Venice 1771–1845 Venice)

One Half of a Design for a Frame of a Stage Proscenium, with a Figure of Justice at the Right, and the Barberini Arms in a Cartouche at the Top

One Half of a Design for a Frame of a Stage Proscenium, with a Figure ...

Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo)

Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage

Design for the Proscenium Arch of an Opera house and the Section Adjac...

Philippe de La Guêpière (French, ca. 1715–1773 Paris)

Study for a Stage Set

Study for a Stage Set

Jacques de Lajoüe (French, Paris 1686–1761 Paris)

Design for a Stage Set or Illustration in a Fête Book with a Blank Scroll Above

Design for a Stage Set or Illustration in a Fête Book with a Blank Scr...

Anonymous, Italian, first half of the 18th century

Stage Set Design

Stage Set Design

Anonymous, Italian, 18th century

Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors.

Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Ve...

Fabrizio Galliari (Italian, Andorno 1709–1790 Treviglio)

Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape.

Design for a Stage Set: Solomon Receiving the Queen of Sheba under a B...

Carlo Galli Bibiena (Italian, Vienna, 1728–after 1778)

Design for a Stage Set: A Dungeon with High Vaults and a Staircase at Right.
The Stage Coach, or Country Inn Yard

The Stage Coach, or Country Inn Yard

William Hogarth (British, London 1697–1764 London)

The Stage Coach, or The Country Inn Yard

The Stage Coach, or The Country Inn Yard

William Hogarth (British, London 1697–1764 London)

The First Stage of Cruelty (The Four Stages of Cruelty)

The First Stage of Cruelty (The Four Stages of Cruelty)

William Hogarth (British, London 1697–1764 London)

The Second Stage of Cruelty (The Four Stages of Cruelty)

The Second Stage of Cruelty (The Four Stages of Cruelty)

William Hogarth (British, London 1697–1764 London)

The Second Stage of Cruelty (The Four Stages of Cruelty)

The Second Stage of Cruelty (The Four Stages of Cruelty)

William Hogarth (British, London 1697–1764 London)

The First Stage of Cruelty (The Four Stages of Cruelty)

The First Stage of Cruelty (The Four Stages of Cruelty)

William Hogarth (British, London 1697–1764 London)

Satyr standing on a stage and pointing downward toward an audience, two jesters gesticulate at lower left
Design for a Stage Set

Design for a Stage Set

A prodigious draughtsman, Barberi designed many architectural projects that remained for the most part unexecuted. He was trained as a silversmith under Luigi Valadier, father of the Roman neoclassic architect,... more

Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva

Design for a Stage Set: A Classical Courtyard and Colonnade with a Sta...

Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797)

Perspective Design for a Stage Set of an Italian Cityscape

Perspective Design for a Stage Set of an Italian Cityscape

Antonio Mauro II (Italian, active 1784–97)

Stage Coach Setting Out From a Posting-House

Stage Coach Setting Out From a Posting-House

Thomas Rowlandson (British, London 1757–1827 London)

Stage Coach Setting Out from a Posting House

Stage Coach Setting Out from a Posting House

Thomas Rowlandson (British, London 1757–1827 London)

Stage Coach Setting Down at the Dolphin Inn

Stage Coach Setting Down at the Dolphin Inn

Thomas Rowlandson (British, London 1757–1827 London)

Design for a Stage Set: Design in Section of a Two-Storied Entrance Hall (Recto). Elevation Design for a Monumental Entrance with Columns and Rounded Pediment (Verso).

Design for a Stage Set: Design in Section of a Two-Storied Entrance Ha...

Giovanni Battista Galliani (Italian, active ca. 1794)

Miyako Dennai III, the Stage Manager of the Metropolitan Theater (Miyako-za)

Miyako Dennai III, the Stage Manager of the Metropolitan Theater (Miya...

Tōshūsai Sharaku (Japanese, active 1794–95) Edo period (1615–1868)

Familiar dialogues on dancing, between a minister and a dancer : taken from matter of fact : with an appendix containing some extracts from the writings of pious and eminent men against the entertainments of the stage, and other vain amusements : recommended to the perusal of Christians of every denomination /

Familiar dialogues on dancing, between a minister and a dancer : taken...

Substantiated by quotations from other writers including Pascal, the Prince of Conti, Chief Justice Hale, and Archbishop Tillotson, Phillips declares dance to be a vain and idle amusement. While he acknowledges... more

The First Stage of Cruelty

The First Stage of Cruelty

Dent (British, active ca. 1800)

Stage Set with Peasants Meeting in Village Setting
The Actor Sawamura Sōjūrō 3rd (Kinokuniya) from the series Portraits of Actors on Stage (Yakusha butai no sugata-e)

The Actor Sawamura Sōjūrō 3rd (Kinokuniya) from the series Portraits o...

Utagawa Toyokuni I (Japanese, 1769–1825) Edo period (1615–1868)

Design for a Stage Set

Design for a Stage Set

Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris

Design for a Stage Set at the Opéra, Paris

Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Actor Ōtani Tomoemon in the Role of Ono Sadakurō, from the series Image of Actors on Stage

The Actor Ōtani Tomoemon in the Role of Ono Sadakurō, from the series ...

Utagawa Toyokuni I (Japanese, 1769–1825) Edo period (1615–1868)

The Actor Sawamura Sōjūrō III in the Role of Shimada Jūzaburō, from the series "Image of Actors on Stage"

The Actor Sawamura Sōjūrō III in the Role of Shimada Jūzaburō, from th...

Toyokuni's series "Kabuki Actors on Stage" was published between 1794 and 1796. In contrast to his rival To-shu-sai Sharaku, who exaggerated actors' climactic poses (mie) in close-up images, Toyokuni portrayed ... more

Design for a Stage Set

Design for a Stage Set

Anonymous, French, 19th century

Design for a Stage Set

Design for a Stage Set

Anonymous, French, 19th century

Design for a Stage Set

Design for a Stage Set

Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris

Design for a Stage Set at the Opéra, Paris

Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Empty Stage

Empty Stage

Anonymous, Italian, 19th century