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recto

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Running Elephant (recto); Practice Sheet of Elephant Sketches (verso)
Text page from BL Add 61735, recto

Text page from BL Add 61735, recto

Text page Image taken from recto of Farming memoranda of Ely Abbey. Written in English.

Volvelle from BL Sloane 4100, recto

Volvelle from BL Sloane 4100, recto

Volvelle Image taken from recto of Volvelle. Written in English.

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)
The life of John the Baptist, scenes 1-5 from BL Add 42497, recto

The life of John the Baptist, scenes 1-5 from BL Add 42497, recto

A frieze with a frame and foliate border beneath, with scenes from the life of John the Baptist: (1) the Visitation, imperfect; (2) Zacharias writing his name before Elizabeth; (3) John baptising a man in a tub... More

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)
Henry VIII from BL Eg 2809, recto

Henry VIII from BL Eg 2809, recto

Historiated initial with king Henry VIII. Image taken from recto of Deed granted by Henry VIII for the dowry for Anne of Cleves upon their marriage. Written in Latin.

Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso)
Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso)
Miniature, leaf (4) recto - showing God, angels and graveyard above corpse on pall, in Horae (Paris use). Written ca. 1425

Miniature, leaf (4) recto - showing God, angels and graveyard above co...

Reference copy may be in LOT 4443-H. This record contains unverified, old data from caption card. Caption card tracings: Death; Incunabula; RBD; Shelf.

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)

Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)

attributed to Domenico Veneziano (Italian, active by 1438–died 1461 Florence)

Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso)
Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)
Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso)
Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso)
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso)
Vittore Carpaccio - Saint Jerome (recto); Soldier with a Spear (verso)
Two prints: The Crucifixion on recto and Christ Bearing the Cross on verso, from The Passion
The Annunciation (recto); Faint View of Buildings (verso)
Studies after the Antique: The Fall of Phaëthon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso)
Anatomical Studies of a Leg (recto); Study of a Leg (verso)
Measured Drawing of a Horse Facing Left (recto)
recto: "Portrait of Prince Danyal", Folio from the Shah Jahan Album
Bust of a Man with Long Beard (recto)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Measured Drawing of a Horse Facing Left (recto).
Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso)
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso)
Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)
Giovanni da Udine, Giovanni dei Ricamatori - Bird Eating Grapes (recto); Tigress (verso)
Giovanni da Udine - Sketchbook Sheet of Ornamental Studies, (recto and verso)
Landscape (recto); Landscape (verso)
Landscape (recto); Landscape (verso)
Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso)
Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso)
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso)
Young Man Standing in Profile Facing Left (recto); Sketch of Two Capitals (verso)
Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso).
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso)
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso)
S. Giovanni Laterano, Centocelle, plan (recto) S. Giovanni Laterano, Centocelle, section (verso)
S. Costanza, drum, interior, elevation; column shafts, profiles; narthex, section; stair, detail plan (recto) stair, plans; window, elevation (verso)
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso)
Saint Bartholomew (recto); Study of Drapery and Two Hands (verso)
Unidentified, funerary altar, plan and elevations (recto) S. Giovanni Laterano, Oratorio della Santa Croce, paneling, elevation (verso)
Studies for Apollo and Daphne, Zeus and Juno, Orpheus and Eurydice and other figures (recto and verso)
St Peter's, dome, model, half elevation (recto) blank (verso), anonymous French 16th century
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso)
Unidentified, Doric cornice, elevation; Theater of Marcellus, Doric cornice, elevation (recto) Unidentified, cornice, elevation (verso)
Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (Recto). Studies for Chapels and Portals (Verso).
Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso).
Pantheon, door elevation and details (recto) Pantheon, pilaster capital profile and projected elevation, column diagram, bronze door detail (verso)
St. Peter's, drum, exterior bay, elevation with details (recto) St. Peter's, drum, section (verso)
Domus Aurea, unidentified, grotteschi, details (recto) blank (verso), anonymous French 16th century
Court Cupboard (recto); Half-page of rectangles, numbered and lettered (verso)
Composite capital, plan, elevation, and details; frieze, detail (recto) Forum of Nerva, entablature and attic, profiles; portico, perspective, and cornice, profile (verso)
St. Peter's, plan (recto) blank (verso), anonymous French 16th century
Palazzo Caffarrelli-Vidoni, elevation; details (recto) blank (verso)
Unidentified, Ionic capital, elevation (recto) blank (verso), anonymous French 16th century
Unidentified, ceiling plan (recto) Pont du Gard, perspective elevation (verso)
Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Palazzo Salviati-Adimari elevations (recto) Villa Farnesina stables, plan and section; drawing of a screw (verso)
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
St. Peter's, apse, window, elevation (recto) Unidentified, portal, elevation (verso)
Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso)
Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso).
S. Andrea via Flaminia, elevation (recto) blank (verso)

S. Andrea via Flaminia, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Palazzo Farnese, section (recto) blank (verso)

Palazzo Farnese, section (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso)
Palazzo Massimo alle Colonne , plan (recto) Palazzo Massimo alle Colonne, façade, details and fireplace (verso)
Domus Augustiana, cornice, elevation in profile, ornamental detailing (recto) Unidentified, cornice, elevation in profile, ornamental detailing (verso)
Domus Aurea, Volta Gialla, grotteschi, details (recto) Unidentified building, thermal window, elevation (verso)
Arch of Septimius Severus, panel, elevation (recto) blank (verso)
Composite capital, plan, elevation, and details; frieze, detail (recto) Forum of Nerva, entablature and attic, profiles; portico, perspective, and cornice, profile (verso)
Temple of Castor and Pollux, soffit panel, ceiling plan (recto) Unidentified, stucco or fresco, details (verso)
Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso)
Tomb of Annia Regilla, plan (recto) Arch of the Argentarii, ornamental details, elevation (verso)
Temple of Portonus, capital, elevations and plan (recto) Unidentified, capital, elevation (verso)
Pantheon, perspective elevation, partial plans, Corinthian pilaster capital and alcove details (recto) Pantheon, perspective sections, alcove elevations, partial plans (verso)
San Lorenzo, Library, entry portal to library, elevation (recto) San Lorenzo, Library, entry portal to library, section; entry portal to library, side elevation (verso)
San Lorenzo, Library, entry portal to library, elevation (recto) San Lorenzo, Library, entry portal to library, section; entry portal to library, side elevation (verso)
Plan for a Church with a Nave (recto); Framing Outlines (verso)

Plan for a Church with a Nave (recto); Framing Outlines (verso)

Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)

Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso)
Study for an Angel (recto); Study of a Cushion (verso)
The Baptism of Christ (recto); The Baptism of Christ (verso)

The Baptism of Christ (recto); The Baptism of Christ (verso)

Gabriel Weyer (German, Nuremberg 1576–1632 Nuremberg)

Palazzo Pontifici, Sala Regia, coffer panels, reflected ceiling plan (recto) blank (verso)
Palazzo Alberini-Cicciaporci, half elevation (recto) blank (verso), anonymous French 16th century
The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso)
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso)
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