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henry and rose pearlman collection

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1856, Daumier, Head of an Old Woman

1856, Daumier, Head of an Old Woman

Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundat... More

1887, Renoir, Nu Dans un Paysage

1887, Renoir, Nu Dans un Paysage

Pierre Auguste Renoir, French, 1841–1919 Nude in a Landscape, ca. 1887 Oil on canvas 21 x 31.7 cm. (8 1/4 x 12 1/2 in.) frame: 41 x 51 x 5 cm The Henry and Rose Pearlman Foundation, on long-term loan to the Pr... More

1922, Soutine, Steeple of Saint-Pierre at Céret

1922, Soutine, Steeple of Saint-Pierre at Céret

Chaïm Soutine, Russian, active in France, 1893–1943 Steeple of Saint-Pierre at Céret, ca. 1922 Oil on canvas 81.3 x 64.8 cm. (32 x 25 1/2 in.) frame: 107.3 x 92.1 cm (42 1/4 x 36 1/4 in.) The Henry and Rose Pe... More

Cézanne, Paul, Baigneurs (signed), 1890-1900

Cézanne, Paul, Baigneurs (signed), 1890-1900

Paul Cézanne, French, 1839–1906 Baigneurs, 1890–1900 Lithograph on chine colle image (sight): 22.9 x 27.4 cm The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.58

Cézanne, Paul, Portrait de Cézanne, 1898-1900

Cézanne, Paul, Portrait de Cézanne, 1898-1900

Paul Cézanne, French, 1839–1906 Portrait de Cézanne, 1898–1900 Lithograph 56.6 x 42.3 cm. The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.56

1920, Soutine, Chemin de la Fontaine des Tins at Céret

1920, Soutine, Chemin de la Fontaine des Tins at Céret

Chaïm Soutine, Russian, active in France, 1893–1943 Chemin de la Fontaine des Tins at Céret, ca. 1920 Oil on canvas 81.3 x 78.7 cm. (32 x 31 in.) frame: 105.3 x 103.6 x 4.7 cm (41 7/16 x 40 13/16 in.) The Henr... More

1907, Prendergast, Sea and Boats
1886, Degas, The Morning Bath

1886, Degas, The Morning Bath

Degas was drawn to the pastel medium because it provided both rich color and spontaneous line in the same drawn stroke. Here, the viewer’s unobserved glimpse of a nude bather awash in the soft morning light su... More

1889, Sisley, River View
1890, Degas, After the Bath, Woman Drying Herself

1890, Degas, After the Bath, Woman Drying Herself

To achieve a dry, pastel look, some of the oil was leached out of the paint before it was applied. The pattern for the background wallpaper was made by first brushing on a faint wash of red paint for the backg... More

1916, Modigliani, Jean Cocteau

1916, Modigliani, Jean Cocteau

Modigliani moved from his native Italy to Paris in 1906 and soon became part of the city's vibrant artistic and literary culture. His portraits often portray friends from this bohemian world, such as the poet,... More

Henri de Toulouse-Lautrec - Messalina - L.1988.62.12 - Henry and Rose Pearlman collection
Courbet, Gustave, Portrait of a Young Woman

Courbet, Gustave, Portrait of a Young Woman

The lovely Mademoiselle Courbet and her sisters frequently modeled for their brother. Courbet not only captured their images in this kind of wistful close-up view of a stolen moment but also included their por... More

Manet, Édouard, Young Woman in a Round Hat

Manet, Édouard, Young Woman in a Round Hat

Widely hailed as a pivotal figure in modern art, Édouard Manet (1832–1883) presented a new vision of modern Parisian life in his paintings, paving the way for many of the developments of Impressionism. Manet’s... More

1879, Cézanne, Standing Bather Seen from Behind

1879, Cézanne, Standing Bather Seen from Behind

Cézanne created more than two hundred paintings, drawings, lithographs, and watercolors of bathing fi gures. Scholars continue to debate whether this seemingly obsessive repetition indicates the artist's inten... More

1880, Cézanne, Portrait of Paul, the Artist's Son

1880, Cézanne, Portrait of Paul, the Artist's Son

Paul was born to the artist and his future wife, Marie-Hortense Fiquet, in 1872. Around 1880, Cézanne rapidly executed several portraits of his son. This one seems especially spontaneous. Although the young bo... More

1885, Cézanne, Provencal Manor

1885, Cézanne, Provencal Manor

The composition was executed wet-on-wet, with thin fluid oil paint, handled much like a watercolor. -Conservator's note from the Henry and Rose Pearlman Collection

1900, Cézanne, Cistern in the Park of Chateau Noir

1900, Cézanne, Cistern in the Park of Chateau Noir

Between 1899 and 1902, Cézanne worked at the Château Noir estate outside Aix-en-Provence. The neo-Gothic buildings of this peculiar country manor were unfinished, giving it the appearance of a ruin. The origin... More

1900, Cézanne, Route to Le Tholonet

1900, Cézanne, Route to Le Tholonet

The paintings by Cézanne in this gallery-and many other works in the Museum-are from the collection of the late Henry and Rose Pearlman, passionate collectors of works by modern artists from Manet to Modiglian... More

1904, Cézanne, Mont Sainte-Victoire

1904, Cézanne, Mont Sainte-Victoire

Cézanne first painted Mont Sainte-Victoire in 1870, beginning his decades-long fascination with the subject that ultimately yielded more than thirty paintings and watercolors of it. The peak played an importan... More

1915, Modigliani, Mateo

1915, Modigliani, Mateo

Modigliani was a prolific draftsman of figures and faces who often used his friends and colleagues as models. In this characteristically reductive study he exploits the tension between text and image, spelling... More

1504, Dürer, Adam and Eve (Princeton University Art Museum)