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Zelfportret van Francisco Goya - Public domain portrait engraving

Zelfportret van Francisco Goya - Public domain portrait engraving

Public domain scan of portrait art print, free to use, no copyright restrictions image - Picryl description

[GOYA - 232 - D. FELIX COLON DE LARRIATEGUI. PROPIEDAD PARTICULAR CLICHE MORENO MADRID] [Material gráfico]

[GOYA - 232 - D. FELIX COLON DE LARRIATEGUI. PROPIEDAD PARTICULAR CLIC...

ESCUELA ESPAÑOLA Public domain photograph of a portrait, illustration, engraving, free to use, no copyright restrictions image - Picryl description

Public domain photograph of artwork in Instituto del patrimonio cultural de Espana,  free to use, no copyright restrictions image - Picryl description

Public domain photograph of artwork in Instituto del patrimonio cultur...

ESCUELA ESPAÑOLA Public domain black and white reproduction of artwork, free to use, no copyright restrictions image - Picryl description

Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.)

Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que c...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Diego Velázquez - Moenippus  (Menipo Filosofo)

Francisco Goya - Diego Velázquez - Moenippus (Menipo Filosofo)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

They Got the Confessor to Climb in by the Window

They Got the Confessor to Climb in by the Window

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Pllate 60 from 'Los Caprichos': Trials (Ensayos.)

Francisco Goya - Pllate 60 from 'Los Caprichos': Trials (Ensayos.)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor)

Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e L...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!)

Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañon...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)

Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)

Public domain scan of 18th-century genre print, free to use, no copyright restrictions image - Picryl description

Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)

Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha,...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 76 from 'Los Caprichos':You understand?... well, as I say... eh!  Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...)

Plate 76 from 'Los Caprichos':You understand?... well, as I say... eh!...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.)

Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 13 from "The Disasters of War' (Los Desastres de la Guerra):Bitter to be Present (Amarga presencia)

Plate 13 from "The Disasters of War' (Los Desastres de la Guerra):Bitt...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They don't like it (No quieren.)

Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They ...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): Bitter to be Present (Amarga presencia)

Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): Bit...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)

Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ev...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

A Man Interfering in a Street Fight, from Images of Spain Album (F), 82

A Man Interfering in a Street Fight, from Images of Spain Album (F), 8...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Women with Children by a Wayside Cross, from Images of Spain Album (F), 78

Women with Children by a Wayside Cross, from Images of Spain Album (F)...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Revenge Upon a Constable, from Images of Spain Album (F), 86

Revenge Upon a Constable, from Images of Spain Album (F), 86

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Allegory with a radiant figure beset by dark spirits (Images of Spain Album, 45)

Allegory with a radiant figure beset by dark spirits (Images of Spain ...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Construction in Progress (Images of Spain Album, 46)

Francisco Goya - Construction in Progress (Images of Spain Album, 46)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Unholy Union, 19th century

Francisco Goya - Unholy Union, 19th century

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

God Save Us from Such a Bitter Fate; Black Border Album (E), 41

God Save Us from Such a Bitter Fate; Black Border Album (E), 41

Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description

Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences

Plate 12 from the 'Disparates': If Marion will dance, then she has to ...

Public domain image, 18th-century drawing, free to use, no copyright restrictions - Picryl description

Plate 13 of  the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants,

Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring b...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Plate B from the 'Disparates':Punctual Folly

Francisco Goya - Plate B from the 'Disparates':Punctual Folly

One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios', Goya (Francis... More

Francisco Goya - Plate 9 from the 'Disparates':General folly

Francisco Goya - Plate 9 from the 'Disparates':General folly

From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 29 of  the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'.

Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'reco...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Plate 14 from the 'Disparates': Carnival Folly

Francisco Goya - Plate 14 from the 'Disparates': Carnival Folly

From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate A from the 'Disparates':Well-Known Folly

Plate A from the 'Disparates':Well-Known Folly

One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios', Goya (Francis... More

Francisco Goya - Mlle. Victorine in the Costume of an "Espada"

Francisco Goya - Mlle. Victorine in the Costume of an "Espada"

Public domain image of a 17th-century fashion, costume design, free to use, no copyright restrictions image - Picryl description.

Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)

Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Wi...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

[MARIANO GOYA, NIETO DEL PINTOR] [Material gráfico]

[MARIANO GOYA, NIETO DEL PINTOR] [Material gráfico]

ESCUELA ESPAÑOLA Public domain photograph related to history of Spain, free to use, no copyright restrictions image - Picryl description

[GOYA - 134 - RETRATO DE LA REINA MARIA LUISA. (PROPIEDAD DEL MARQUES DE CASA TORRES)] [Material gráfico]

[GOYA - 134 - RETRATO DE LA REINA MARIA LUISA. (PROPIEDAD DEL MARQUES ...

ESCUELA ESPAÑOLA Public domain photograph of 19th-century portrait, Spain, free to use, no copyright restrictions image - Picryl description

[GOYA - 460 - LA CIENCIA. MINISTERIO DE MARINA. MADRID. CLICHE MORENO] [Material gráfico]

[GOYA - 460 - LA CIENCIA. MINISTERIO DE MARINA. MADRID. CLICHE MORENO]...

ESCUELA ESPAÑOLA Public domain photograph of decorated panel, decor, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Para eso habeis nacido.

Francisco Goya - Para eso habeis nacido.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Escapan entre las llamas.

Francisco Goya - Escapan entre las llamas.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Esto es malo. - Drawing. Public domain image.

Francisco Goya - Esto es malo. - Drawing. Public domain image.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Un caballero español mata un toro despues de haber perdido el caballo.

Un caballero español mata un toro despues de haber perdido el caballo.

Public domain image, 18th-century drawing, free to use, no copyright restrictions - Picryl description

Francisco Goya - Pepe Romero matando á toro parado.

Francisco Goya - Pepe Romero matando á toro parado.

Picryl description: Public domain image, 19th century drawing, free to use, no copyright restrictions

Francisco Goya - Pepe Illo haciendo el recorte al toro.

Francisco Goya - Pepe Illo haciendo el recorte al toro.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

La desgraciada muerte de Pepe Illo en la plaza de Madrid.

La desgraciada muerte de Pepe Illo en la plaza de Madrid.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Disparate general.

Francisco Goya - Disparate general.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon.

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del...

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Le prisonnier ployé sur sa chaine.

Francisco Goya - Le prisonnier ployé sur sa chaine.

Public domain scan of Spanish 18th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - The Garroted Man (El agarrotado)

Francisco Goya - The Garroted Man (El agarrotado)

Francisco de Goya (1746-1828) - Spanish painter and printmaker of the late 18th and early 19th centuries. Goya is known for his powerful and expressive style, which combined elements of the traditional and the ... More

Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)

Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)

Francisco de Goya (1746-1828) - Spanish painter and printmaker of the late 18th and early 19th centuries. Goya is known for his powerful and expressive style, which combined elements of the traditional and the ... More

Fruit grows on a tree on the white, sandy Toya Beach

Fruit grows on a tree on the white, sandy Toya Beach

Fruit grows on a tree on the white, sandy Toya Beach in Yomiton Village, Okinawa. Okinawa Prefecture is the southernmost prefecture in Japan, and is made up of hundreds of islands. The main island is home to Ka... More

Francisco Goya - Ensayos

Francisco Goya - Ensayos

Capricho nº 60: Ensayos de Goya, serie Los Caprichos Public domain scan of 17th century artwork depicting a person and landscape background, free to use, no copyright restrictions image - Picryl description

Francisco Goya - La filiación

Francisco Goya - La filiación

Capricho nº 57: La filiación de Goya, serie Los Caprichos

Francisco Goya - Muchachos al avío.

Francisco Goya - Muchachos al avío.

Public domain scan of Spanish 18th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Y son fieras. - Drawing. Public domain image.

Francisco Goya - Y son fieras. - Drawing. Public domain image.

Public domain photograph of musical performance, musicians, music, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Bien te se está.

Francisco Goya - Bien te se está.

Public domain scan of Spanish 19th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Tambien estos.

Francisco Goya - Tambien estos.

Public domain image, 17th-18th century drawing, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Nothing Is Known of This

Francisco Goya - Nothing Is Known of This

Public domain reproduction of artwork in Metropolitan Museum of Art, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Bullfight in a Divided Ring

Francisco Goya - Bullfight in a Divided Ring

Public domain reproduction of artwork, 17th century, free to use, no copyright restrictions image - Picryl description.

Francisco Goya - The Garroted Man (El agarrotado)

Francisco Goya - The Garroted Man (El agarrotado)

Public domain scan of 18th-century drawing, free to use, no copyright restrictions image - Picryl description

Francisco Goya - The Tantrum, 18th century

Francisco Goya - The Tantrum, 18th century

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)

Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?)

Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 76 from 'Los Caprichos':You understand?... well, as I say... eh!  Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...)

Plate 76 from 'Los Caprichos':You understand?... well, as I say... eh!...

Public domain scan - 18th-century print, free to use, no copyright restrictions image - Picryl description Francisco de Goya (1746-1828) - Spanish painter and printmaker of the late 18th and early 19th centuri... More

Francisco Goya - The Caprices (Los Caprichos), plates 1-80

Francisco Goya - The Caprices (Los Caprichos), plates 1-80

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)

Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor)

Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lu...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 63  from 'Los Caprichos': Look how solemn they are! (Miren que grabes!)

Plate 63 from 'Los Caprichos': Look how solemn they are! (Miren que g...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)

Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 8 from 'Los Caprichos': They carried her off! (Que se la llevaron!)

Plate 8 from 'Los Caprichos': They carried her off! (Que se la llevaro...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)

Public domain reproduction of artwork, free to use, no copyright restrictions image - Picryl description

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.)

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'Th...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It will be the same.' (Será lo mismo)

Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On account of a knife' (Por una navaja.)

Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On ...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 8 from 'The Disasters of War' (Los Desastres de la Guerra):It always happens (Siempre sucede)

Plate 8 from 'The Disasters of War' (Los Desastres de la Guerra):It al...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use' (Aun podrán servir)

Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' Th...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

'God Save Us from Such a Bitter Fate'; a bandit threatening a woman and a child with a knife: folio 41 from the Black Border Album 'E'

'God Save Us from Such a Bitter Fate'; a bandit threatening a woman an...

Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description Francisco de Goya (1746-1828) - Spanish painter and printmaker of the late 18th and early 19th centuri... More

Bird Hunters with a Decoy, from Images of Spain Album (F), 105

Bird Hunters with a Decoy, from Images of Spain Album (F), 105

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Beggar with a Staff in His Right Hand, from Images of Spain Album (F), 69

Beggar with a Staff in His Right Hand, from Images of Spain Album (F),...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Monks in an Interior; Images of Spain Album (F), page 33

Monks in an Interior; Images of Spain Album (F), page 33

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 65  from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub'' (Qué alboroto es este?)

Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'W...

Public domain photograph of 19th-century drawing, free to use, no copyright restrictions image - Picryl description

Plate 76  from 'The Disasters of War' (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro.)

Plate 76 from 'The Disasters of War' (Los Desastres de la Guerra): 'T...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

A Way of Flying, from Disparates, published as plate 13 in Los Proverbios (Proverbs)

A Way of Flying, from Disparates, published as plate 13 in Los Proverb...

Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description

The custody is as barbarous as the crime (Tan bárbara la seguridad como el delito)

The custody is as barbarous as the crime (Tan bárbara la seguridad com...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Plate 18 from the 'Disparates':Birds of a feather flock together

Plate 18 from the 'Disparates':Birds of a feather flock together

From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816

The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816

Francisco de Goya (1746-1828) - Spanish painter and printmaker of the late 18th and early 19th centuries. Goya is known for his powerful and expressive style, which combined elements of the traditional and the ... More

Plate 8 from the 'Tauromaquia': A moor caught by the bull in the ring

Plate 8 from the 'Tauromaquia': A moor caught by the bull in the ring

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Francisco Goya - Plate 14 from the 'Disparates': Carnival Folly

Francisco Goya - Plate 14 from the 'Disparates': Carnival Folly

Public domain photograph of 19th-century drawing, free to use, no copyright restrictions image - Picryl description

Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid.

Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Ap...

Public domain photograph of 19th-century drawing, free to use, no copyright restrictions image - Picryl description

Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid

Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring ...

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

An old woman spinning, spindle in her right hand, distaff in her left

An old woman spinning, spindle in her right hand, distaff in her left

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

[GOYA - 462 - LA INDUSTRIA. MINISTERIO DE MARINA. CLICHE MORENO, MADRID] [Material gráfico]

[GOYA - 462 - LA INDUSTRIA. MINISTERIO DE MARINA. CLICHE MORENO, MADRI...

ESCUELA ESPAÑOLA Public domain photograph related to history of Spain, free to use, no copyright restrictions image - Picryl description

[GOYA - 154 - RETRATO DEL INFANTE D. FRANCISCO DE P. ANTONIO (MUSEO DEL PRADO)] [Material gráfico]

[GOYA - 154 - RETRATO DEL INFANTE D. FRANCISCO DE P. ANTONIO (MUSEO DE...

ESCUELA ESPAÑOLA Public domain photograph of 19th-century portrait, Spain, free to use, no copyright restrictions image - Picryl description

Public domain photograph of artwork in Instituto del patrimonio cultural de Espana,  free to use, no copyright restrictions image - Picryl description

Public domain photograph of artwork in Instituto del patrimonio cultur...

ESCUELA ESPAÑOLA Public domain black and white reproduction of artwork, free to use, no copyright restrictions image - Picryl description

Public domain photograph of artwork in Instituto del patrimonio cultural de Espana,  free to use, no copyright restrictions image - Picryl description

Public domain photograph of artwork in Instituto del patrimonio cultur...

ESCUELA ESPAÑOLA Public domain black and white reproduction of artwork, free to use, no copyright restrictions image - Picryl description

[GOYA - 435 BIS - RETRATO DE UN CURA (FRAGMENTO) CLICHE MORENO, MADRID] [Material gráfico]

[GOYA - 435 BIS - RETRATO DE UN CURA (FRAGMENTO) CLICHE MORENO, MADRID...

ESCUELA ESPAÑOLA Public domain photograph related to history of Spain, free to use, no copyright restrictions image - Picryl description

[GOYA - AQUELARRE. PDAD. PARTICULAR. CLICHE MORENO 526 - MADRID] [Material gráfico]

[GOYA - AQUELARRE. PDAD. PARTICULAR. CLICHE MORENO 526 - MADRID] [Mate...

ESCUELA ESPAÑOLA Public domain photograph of 19th-century portrait, Spain, free to use, no copyright restrictions image - Picryl description

[V. LOPEZ- 310- RTO. DE GOYA (MUSEO DEL PRADO)] [Material gráfico]

[V. LOPEZ- 310- RTO. DE GOYA (MUSEO DEL PRADO)] [Material gráfico]

ESCUELA ESPAÑOLA Public domain photograph of a portrait, illustration, engraving, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Bien tirada está.

Francisco Goya - Bien tirada está.

Public domain scan of Spanish 18th-century print, free to use, no copyright restrictions image - Picryl description

Francisco Goya - Soplones. - Public domain  drawing

Francisco Goya - Soplones. - Public domain drawing

Public domain image of print or drawing, symbolism or allegory, depicting saint, winged creature, Icarus, flying angel, religious figure, flight, free to use, no copyright restrictions - Picryl description

Francisco Goya - Mala noche. - Public domain dedication image

Francisco Goya - Mala noche. - Public domain dedication image

Public domain scan of Spanish 18th-century print, free to use, no copyright restrictions image - Picryl description

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