Bronze right foot and lower leg from a colossal statue
Right foot and part of leg from colossal statue. Imperial
Bronze toes and instep of an over-lifesized right foot
A hollow cast including toes and instep. Imperial
Bronze left foot with traces of sandal straps
Left foot with sandal straps. Imperial
Marble forepart of a left sandaled foot
Preserved are the toes and the sole of the sandal, the contour of which follows the outline of the foot. Imperial
Marble right foot wearing a sandal
Right foot and ankle, wearing a sandal. Imperial
Bronze left leg and foot
Foot and left leg. Imperial
Glass cup with splayed foot
Translucent blue green.Outsplayed tubular rim, folded over and in; tall curving neck, tapering downwards; thick projecting shoulder; squat, globular body; applied conical foot, formed from a separate gather, wi... more
Limestone plinth with the left foot of a statue of Zeus
With two feet; dedication to Zeus Labranios, by Demetris. Roman
Foot Fragment
Made in Kharga Oasis, Byzantine Egypt
Bottom of a Vessel with Foot
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Bottom of a Vessel with Foot
Made in Kharga Oasis, Byzantine Egypt
Bottom of a Vessel with Foot
Made in Kharga Oasis, Byzantine Egypt
Base and Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Bottom and Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot Fragment
Made in Kharga Oasis, Byzantine Egypt
Bottom of a Vessel with Foot
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Foot of a Vessel
Made in Kharga Oasis, Byzantine Egypt
Bottom of a Vessel with Foot
Made in Kharga Oasis, Byzantine Egypt
Bottom of a Vessel with Foot
Made in Kharga Oasis, Byzantine Egypt
Cup with Foot and Geometric Decoration
Made in Kharga Oasis, Byzantine Egypt
Hanging Lamp in the Form of a Sandaled Right Foot
One of the classical protective images adapted by Christians was the foot, a symbol of good health and healing. These lamps were lit by an oil-soaked wick, inserted through the hole beside the foot’s big toe.Ro... more
Hanging Lamp in the Form of a Sandaled Right Foot
One of the classical protective images adapted by Christians was the foot, a symbol of good health and healing. These lamps were lit by an oil-soaked wick, inserted through the hole beside the foot’s big toe.Ro... more
Bowl on High Foot
Silla Kingdom (57 B.C.–A.D. 676)
Foot of a Vessel
Attributed to Iran
Foot of a Vessel
Attributed to Iran
Fabulous Winged Creature with Human Face, probably from the foot of a ...
Made in Meuse valley, Netherlands
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flan...
Illustrated Beatus manuscripts bring to life an extraordinary vision of the end of the world, as recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liébana,... more
Foot soldiers and cavalry from BL Royal 16 G VI, f. 381
Detail of a miniature of foot soldiers and cavalry. Image taken from f. 381 of Chroniques de France ou de St Denis. Written in French.
Spinario (Boy Pulling a Thorn from His Foot)
Severo Calzetta da Ravenna (Italian, active by 1496, died before 1543)
Mary Magdalen at the Foot of the Cross
The penitent Magdalen at the base of a now-lost crucifix was the focus of a carved altarpiece. Depictions of Mary Magdalen as a solitary figure before the cross first appeared in Italian painting of the twelfth... more
A horseman fighting two foot soldiers
Medalist: Gian Francesco Enzola (Italian, active 1456–78)
Five Foot Soldiers and a Mounted Turk
Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
Five Foot Soldiers and a Mounted Turk
Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
Riding Standard Bearer and a Foot Soldier
Barthel Beham (German, Nuremberg ca. 1502–1540 Italy)
Ceramic Foot Vessel
Mexico (?), Mesoamerica
Speculum Romanae Magnificentiae: Man Removing a Thorn from his Foot
This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafre... more
A Swiss Foot Soldier
attributed to Niklaus Manuel Deutsch (Swiss, Bern 1484–1530 Bern)
Dish on a low foot
Manner of Bernard Palissy (French, Agen, Lot-et-Garonne 1510–1590 Paris)
David with His Foot in a Noose in an Initial O
Initial O introducing the Introit (opening chant) to the Mass for the third Sunday of Lent, Psalm 24:15: Oculi mei semper ad Dominumquia ipse ellevet de laqueopedesmeos, “My eyes are ever toward the Lord, for h... more
Christ at the Foot of the Cross, Mourned by Mary and John
Nikolaus Hogenberg (Netherlandish, Munich ca. 1500–1539 Mechelen)
Spinario (Boy Pulling a Thorn from His Foot)
This is the best surviving example of Antico’s Spinario – a boy pulling a thorn from his foot – which takes as its starting point a long-celebrated bronze figure, executed in the 3rd century BC and now, as in A... more
Venus drying her foot with a piece of drapery, Cupid in front of her, ...
Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?))
Venus removing a thorn from her left foot while seated beside trees an...
Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome)
Venus removing a thorn from her left foot while seated on a cloth next...
This print depicts one of the compositions Raphael designed for the stufetta (bathroom) of Cardinal Bibbiena in the Vatican. The small room was richly ornamented all’antica, with grotesques and scenes represent... more
Venus removing a thorn from her left foot while seated on a cloth besi...
Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome)
Venus removing a thorn from her left foot while seated on a cloth besi...
Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome)
The Virgin at top center in clouds with clasped hands and right foot r...
Engraved by Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua)
The Virgin and Child Seated at the Foot of a Tree
As he so often did in his paintings, Gossart combined Renaissance and Gothic motifs in his prints. Here, the figure types derive from Italian Renaissance sculpture. Most notably, the child's unusual gesture, wi... more
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid...
European of the Renaissance period viewed ancient Rome not only as the origin of Italian civilzation but also the geographic center of a lost golden age. This plaque belongs to a series of at least eighty Limog... more
Venus removing a thorn from her foot
Master of the Die (Italian, active Rome, ca. 1530–60)
Venus removing a thorn from her foot
Master of the Die (Italian, active Rome, ca. 1530–60)
Triumph of Love: four horses draw a carriage with Cupid standing upon ...
Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig)
Candelabra Grotesque with an Hexagonal Pavillion on a Foot.
Three quarters of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by an architectural structure which can be described as an hexagonal pavillion. ... more
The Muses at the Foot of Mt. Parnassus
In its rough execution, claustrophobic composition, and stylized, attenuated figures, this print is characteristic of the school of printmaking that arose at Fontainebleau, the palace of Francis I (r. 1515–47) ... more
Sarah presenting Hagar to Abraham, who sits at the foot of a bed, from...
Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig)
St. Paul standing under an overgrown arch, his left foot poised upon a...
Lambert Suavius (Netherlandish, ca. 1510–by 1576)
"'Umar Walks around Fulad Castle, Meets a Foot Soldier and Kicks Him t...
The Hamzanama recounts the fable of Hamza, an uncle of the Prophet Muhammad who was a legendary defender of the faith. This painting illustrates an episode involving 'Umar, a spy loyal to Hamza, who learns of a... more
Fantastic Rocky Landscape with a Farmhouse and Three Foot Bridges
Anonymous, Netherlandish, 16th century
Allegory of the Psalm of David; Misericordia seated to the left feedin...
The drawing for the print is in the Graphische Sammlung Albertina, Vienna (inv.no. 2032). After Agostino Carracci (Italian, Bologna 1557–1602 Parma)
Oreads Removing a Thorn from a Satyr's Foot
Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague)
Wine cup on high foot (Tazza)
The broad, shallow bowl of this wine cup is a borrowing into silver design of a Venetian glass form popular in the second half of the sixteenth century. Although few glass examples survive, we know of their use... more
Seated Nude Woman Touching her Foot
Barthélemy Prieur (French, Berzieux ca. 1536–1611 Paris)
Holy Family with St. John the Baptist (recto); Study of a Foot (verso)
Anonymous, Italian, 17th century
Two Figures: Nude Youth on One Knee, Man Standing with Left Foot Raise...
Anonymous, Italian, Roman-Bolognese, 17th century
Five numbered scenes, each after a painter in the Accademia Degl'Incam...
One of seven plates by Reni that illustrate the temporary decorations for the memorial service for the painter Agostino Carracci, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINAT... more
Study for a Three-Quarter-Length Portrait of a Gentleman (recto), Stud...
Mario Balassi (Italian, Florence 1605–1667 Florence)
Hercules and Achelous: at center Hercules grasps the horns of a bull ...
Antonio Tempesta (Italian, Florence 1555–1630 Rome)
St. Mary Magdelen at the Foot of the Cross
Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam)
Christ crucified between the two thieves, the three maries at the foot...
Antonio Tempesta (Italian, Florence 1555–1630 Rome)
Giovanni Alto (Johann Alten, Ioannes Altus) standing on the Quirinal H...
Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome)
The Standing Virgin Lamenting the Dead Christ at the Foot of the Cross
Anonymous, German, 17th century
The Imado Bridge at the Foot of Mount Matsuchi
Hiroshige's great achievement in translating landscape to prints and popular art forms rested on his unique ability to understand the traditional qualities of famous places (meisho) and to see them anew. This s... more
Hunters on horses and on foot, with hounds pursuing a stag, and two bu...
Jacques Callot (French, Nancy 1592–1635 Nancy)
Lamentation over the Dead Christ at the Foot of the Cross (recto); Stu...
Ferraù Fenzoni (Italian, Faenza 1562–1645 Faenza)
Small male figure wearing a hat, with daggers in both hands, and placi...
Jacques Callot (French, Nancy 1592–1635 Nancy)