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PICRYL

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Cosmos como bipinnatus cosmea bipinnata, nature landscapes.

Cosmos como bipinnatus cosmea bipinnata, nature landscapes.

Butterflies feeding sugar water, animals.

Butterflies feeding sugar water, animals.

Butterfly feeding sugar water, animals.

Butterfly feeding sugar water, animals.

Chassis aircraft landing, science technology.

Chassis aircraft landing, science technology.

Butterfly suction nozzles proboscis, animals.

Butterfly suction nozzles proboscis, animals.

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bowl Bottom with the Busts of Two Saints (Peter and Paul?)

Bowl Bottom with the Busts of Two Saints (Peter and Paul?)

Bottom of a Vessel

Bottom of a Vessel

Vessel, Bottom

Vessel, Bottom

Bottom of a Vessel

Bottom of a Vessel

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Vessel

Bottom of a Vessel

Bottom and Foot of a Vessel

Bottom and Foot of a Vessel

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Vessel

Bottom of a Vessel

Bottom of a Vessel with Foot

Bottom of a Vessel with Foot

Bottom of a Cup

Bottom of a Cup

Bottom of Flask

Bottom of Flask

Large and small initials, rubrics, name of text in red and blue, human face sketched in bottom margin.

Large and small initials, rubrics, name of text in red and blue, human face sketched in bottom margin.

Page of text with possible trace of quire signature at bottom?

Page of text with possible trace of quire signature at bottom?

Page of text with initials, additional text in margins, and in bottom margin scribe's directions for initial "t iiii".

Page of text with initials, additional text in margins, and in bottom margin scribe's directions for initial "t iiii".

[Page from Xanten Bible featuring two columns of text of uneven width with large characters at the bottom of the column at left.]

[Page from Xanten Bible featuring two columns of text of uneven width with large characters at the bottom of the column at left.]

Page of music, note written in at bottom.

Page of music, note written in at bottom.

Madonna and Child Enthroned with Saints Peter, Bartholomew, Catherine of Alexandria, and Paul, and (below) the Nativity; left wing (top to bottom): Annunciatory Angel, Crucified Christ with the Virgin, Saints Mary Magdalen and John, and Christ as the Man of Sorrows; right wing (top to bottom): Virgin Annunciate, Saints Onophrius and Paphnutius, and Saint Onophrius Buried by Saint Paphnutius.

Madonna and Child Enthroned with Saints Peter, Bartholomew, Catherine of Alexandria, and Paul, and (below) the Nativity; left wing (top to bottom): Annunciatory Angel, Crucified Christ with the Virgin, Saints Mary Magdalen and John, and Christ as the Man of Sorrows; right wing (top to bottom): Virgin Annunciate, Saints Onophrius and Paphnutius, and Saint Onophrius Buried by Saint Paphnutius.

Vajra in His Cradle (top left) / Vajra Being Nursed by His Mother (top right) / The Nuns who Cared for Vajra (bottom); Page from a Dispersed Kalpa Sutra (Jain Book of Rituals)

Vajra in His Cradle (top left) / Vajra Being Nursed by His Mother (top right) / The Nuns who Cared for Vajra (bottom); Page from a Dispersed Kalpa Sutra (Jain Book of Rituals)

Sthulabhadra as a Lion in a Cave With His Sisters (top) / Sthulabhadra's Sisters Before Bhadrabahu (or Sthulabhadra) (bottom); Page from a Dispersed Kalpa Sutra (Jain Book of Rituals)

Sthulabhadra as a Lion in a Cave With His Sisters (top) / Sthulabhadra's Sisters Before Bhadrabahu (or Sthulabhadra) (bottom); Page from a Dispersed Kalpa Sutra (Jain Book of Rituals)

Kamatha Performing the Five Fire Penances (top) and Parsvanatha Rescuing the Snake Dharana (bottom): Folio from a Kalpasutra Manuscript

Kamatha Performing the Five Fire Penances (top) and Parsvanatha Rescuing the Snake Dharana (bottom): Folio from a Kalpasutra Manuscript

Aristanemi's Bridal Pavilion (top) and Witnessing Animals for Slaughter (bottom): Folio from a Kalpasutra Manuscript

Aristanemi's Bridal Pavilion (top) and Witnessing Animals for Slaughter (bottom): Folio from a Kalpasutra Manuscript

Mahavira Preaching the Samacari (top) / Part of Mahavira's Audience as He Preached the Samacari (bottom); Page from a Dispersed Kalpa Sutra (Jain Book of Rituals)

Mahavira Preaching the Samacari (top) / Part of Mahavira's Audience as He Preached the Samacari (bottom); Page from a Dispersed Kalpa Sutra (Jain Book of Rituals)

Page of text with glosses -- name "Virgilius" visible at bottom.

Page of text with glosses -- name "Virgilius" visible at bottom.

Opening of text (Ad te levavi animam meam) with 11-line puzzle initial with elaborate penwork extending the length of the left border, and into bottom margin. Small initials and rubrics.

Opening of text (Ad te levavi animam meam) with 11-line puzzle initial with elaborate penwork extending the length of the left border, and into bottom margin. Small initials and rubrics.

Explicit; initials and rubrics. Text ends mid-word and catchword at bottom -- indication that folios are missing at end?

Explicit; initials and rubrics.  Text ends mid-word and catchword at bottom -- indication that folios are missing at end?

Opening page of calendar with French note at bottom.

Opening page of calendar with French note at bottom.

The Great Column (bottom block)

The Great Column (bottom block)

Vertical Panel with a Candelabrum Stemming from a Leaf-Faced Grostesque at Bottom

Vertical Panel with a Candelabrum Stemming from a Leaf-Faced Grostesque at Bottom

Opening of the "Capituli"; rubric and large red initial. Eight signatures at bottom. Hand 1.

Opening of the "Capituli"; rubric and large red initial.  Eight signatures at bottom. Hand 1.

The vision of Saint Jerome who is asleep in the bottom right, the Virgin and Child appear above being pointed to by Saint John the Baptist

The vision of Saint Jerome who is asleep in the bottom right, the Virgin and Child appear above being pointed to by Saint John the Baptist

Plate 1: Saint Matthew with his head turned in profile to the left, a cherub at bottom left, from 'The four evangelists'

Plate 1: Saint Matthew with his head turned in profile to the left, a cherub at bottom left, from 'The four evangelists'

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin

Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso)

Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso)

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom right plate)

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom right plate)

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate)

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate)

Design for the Verso of a Pendant with a Flower-Piece at Bottom Center

Design for the Verso of a Pendant with a Flower-Piece at Bottom Center

Saint Susanna in an interior holding an open book in her left hand, a palm in her right, a landscape visible through a window at right and at bottom center a coat of arms

Saint Susanna in an interior holding an open book in her left hand, a palm in her right, a landscape visible through a window at right and at bottom center a coat of arms

[Folding bridge - two views, top extended across moat, bottom folded prior to release; used by infantry during assault on fortress]

[Folding bridge - two views, top extended across moat, bottom folded prior to release; used by infantry during assault on fortress]

Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom

Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom

Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom

Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom

Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino)

Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino)

Adoration of the Magi, with Mary bracing Jesus with her right hand and reaching for a gift with her left, a long procession extending into a hilly background, children at bottom left and right bearing vessels

Adoration of the Magi, with Mary bracing Jesus with her right hand and reaching for a gift with her left, a long procession extending into a hilly background, children at bottom left and right bearing vessels

[External anatomy of a bee shown in three full views and various details with key at bottom]

[External anatomy of a bee shown in three full views and various details with key at bottom]

Title page 2: Medici coat of arms in bottom center, from "In Morte del Serenissimo Principe Francesco di Toscana, Orazione"

Title page 2: Medici coat of arms in bottom center, from "In Morte del Serenissimo Principe Francesco di Toscana, Orazione"

A portrait of Francesco de' Medici, within an oval frame, decorated with military equipment, battle scenes at bottom left and right outside of frame

A portrait of Francesco de' Medici, within an oval frame, decorated with military equipment, battle scenes at bottom left and right outside of frame

Frontispiece for 'Instructions for Chancellors' (Instruzione a' Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth, Florentine landscape at bottom center

Frontispiece for 'Instructions for Chancellors' (Instruzione a' Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth, Florentine landscape at bottom center

Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand, a putto holding the Medici coat of arms at bottom left, Florence in the background

Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand, a putto holding the Medici coat of arms at bottom left, Florence in the background

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

Plate 7: two friezes; at top, an eagle and the head of a lion, at bottom, a lion head and two grotesque heads of men, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Plate 7: two friezes; at top, an eagle and the head of a lion, at bottom, a lion head and two grotesque heads of men, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Plate 5: two friezes; at top, a grotesque head of an old man to left, a lion head to right, at bottom, a ram skull to left, a grotesque head of a man to right, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Plate 5: two friezes; at top, a grotesque head of an old man to left, a lion head to right, at bottom, a ram skull to left, a grotesque head of a man to right, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Plate 2: three fragments of friezes; on top, a grotesque head of a man, a skull of a ram at bottom left and a chimera at bottom right, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Plate 2: three fragments of friezes; on top, a grotesque head of a man, a skull of a ram at bottom left and a chimera at bottom right, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

Plate 1: a coat of arms at bottom center surrounded by a draped curtain, title page for 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes)

Plate 1: a coat of arms at bottom center surrounded by a draped curtain, title page for 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes)

Four views: at top, a view of the new monastery of Vallombrosa, at bottom left and right, a view of a chapel, at bottom center, the tree of St. John Gualbert, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)

Four views: at top, a view of the new monastery of Vallombrosa, at bottom left and right, a view of a chapel, at bottom center, the tree of St. John Gualbert, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)

Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page of 'Varie figure'

Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page of 'Varie figure'

Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page of 'Varie figure'

Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page of 'Varie figure'

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 2: at top, the head of a young man, frontal view, at bottom, four eyes, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 2: at top, the head of a young man, frontal view, at bottom, four eyes, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 8: four small heads, a soldier at upper left, a Turk with a turban and beard at upper right, a bearded man in profile at bottom left, a young woman in profile at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Plate 8: four small heads, a soldier at upper left, a Turk with a turban and beard at upper right, a bearded man in profile at bottom left, a young woman in profile at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)

Twenty-four riders dueling with swords in four groups, with two groups in lines at the top and bottom of the page, from 'La gara delle Stagioni'

Twenty-four riders dueling with swords in four groups, with two groups in lines at the top and bottom of the page, from 'La gara delle Stagioni'

Four riders in a row at bottom, five riders forming a V above and another rider in the center, from 'La gara delle Stagioni'

Four riders in a row at bottom, five riders forming a V above and another rider in the center, from 'La gara delle Stagioni'

Hunting Trophy with Stag Heads at Bottom

Hunting Trophy with Stag Heads at Bottom

Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix

Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix

[Plate. Top scene is group of men pointing out their shadows on the ground; bottom scene is artist using lamp to project shadows onto a wall.]

[Plate. Top scene is group of men pointing out their shadows on the ground; bottom scene is artist using lamp to project shadows onto a wall.]

View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding

View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding

Design for a Cartouche or Frame with Four Groups of Military Ornament: Flames and Thunderbolts on bottom; Swags of Bombs at Sides; Sword, Baton, and Laurel Top.

Design for a Cartouche or Frame with Four Groups of Military Ornament: Flames and Thunderbolts on bottom; Swags of Bombs at Sides; Sword, Baton, and Laurel Top.

Elevation of a Catafalque, Three Obelisks with Fluer-de-lys and Candles, Dated on Plaque at Bottom 1733.

Elevation of a Catafalque, Three Obelisks with Fluer-de-lys and Candles, Dated on Plaque at Bottom 1733.

Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from 'Les soirées de Rome'

Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from 'Les soirées de Rome'

A young man, seen from behind and ascending a step towards the left, a cloak draped over his right shoulder and his left arm outstretched, a ram skull at bottom left

A young man, seen from behind and ascending a step towards the left, a cloak draped over his right shoulder and his left arm outstretched, a ram skull at bottom left

[Plat of a survey of 2,314 acres of land, being the first large bottom on the east side of the Ohio River, 3 or 4 miles below the mouth, a portion of which is divided into 17 lots]

[Plat of a survey of 2,314 acres of land, being the first large bottom on the east side of the Ohio River, 3 or 4 miles below the mouth, a portion of which is divided into 17 lots]

Razor's Levée, or Ye Heads of a New Wig Ad[ministration] on a Broad Bottom

Razor's Levée, or Ye Heads of a New Wig Ad[ministration] on a Broad Bottom

Eagle Tavern, corner of Broadway & Hamilton St., Albany. We have leased the Eagle Tavern for a term of years and have cleansed and regenerated it from top to bottom ... Alfred Houghton. late of the Steamboatt Knickerbocker. Peter Acker, late of

Eagle Tavern, corner of Broadway & Hamilton St., Albany. We have leased the Eagle Tavern for a term of years and have cleansed and regenerated it from top to bottom ... Alfred Houghton. late of the Steamboatt Knickerbocker. Peter Acker, late of

Small Scalloped-shape Bowl with Design of Vertical Floral Bands and Chinese Children on Bottom of Interior

Small Scalloped-shape Bowl with Design of Vertical Floral Bands and Chinese Children on Bottom of Interior

Two certificates for births to slaves. Top signed by Roger Carmele and bottom by Elizabeth Maunsell.

Two certificates for births to slaves. Top signed by Roger Carmele and bottom by Elizabeth Maunsell.

More Miseries: The Bottom of Mr Figg's Old Whiskey Broke Through

More Miseries: The Bottom of Mr Figg's Old Whiskey Broke Through

From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets)

From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets)

Banknote motif: the number 5 set against a scallop-edged circle of ornamental lathe work, within a rectangle with cut off corners, the top adorned with a vase and swans, the bottom with fruit and grain

Banknote motif: the number 5 set against a scallop-edged circle of ornamental lathe work, within a rectangle with cut off corners, the top adorned with a vase and swans, the bottom with fruit and grain

Titania and Bottom (Shakespeare, Midsummer Night's Dream, Act 3, Scene 1)

Titania and Bottom (Shakespeare, Midsummer Night's Dream, Act 3, Scene 1)

1. Ruines d'un temple d'Ysis [Isis] près Beibeth [Behbeit el-Hagar] (top). 2. Ruines de Sann [San el-Hagar = Tanis] (bottom).

1. Ruines d'un temple d'Ysis [Isis] près Beibeth [Behbeit el-Hagar] (top).  2. Ruines de Sann [San el-Hagar = Tanis] (bottom).

1. Vue d'une Mosquée près Rossette [Rosetta] (top); 2. Vue de Rossette [Rosetta] (bottom).

1. Vue d'une Mosquée près Rossette [Rosetta] (top); 2. Vue  de Rossette [Rosetta] (bottom).

1. Le Sphinx près des Pyramides (top); 2. Entrée de la grande Pyramide de Memphis (bottom).

1. Le Sphinx près des Pyramides (top); 2. Entrée de la grande Pyramide de Memphis (bottom).

Large and Small Fish Swimming Among Shells and Moss at the Bottom of the Sea

Large and Small Fish Swimming Among Shells and Moss at the Bottom of the Sea

Illinois state lottery; authorized by the Legislature to raise funds for the purpose of draining the ponds and lakes in the American bottom, and of improving the health thereof. Class No: 5. To be drawn at Harrisonville on Saturday December 15th

Illinois state lottery; authorized by the Legislature to raise funds for the purpose of draining the ponds and lakes in the American bottom, and of improving the health thereof. Class No: 5. To be drawn at Harrisonville on Saturday December 15th

Drawing of the Illinois State lottery, authorized by the Legislature to raise funds for the purpose of draining the ponds and lakes in the American bottom, and of improving the health thereof. Class No: 1 ... Alton, Printed at the "Telegraph" Of

Drawing of the Illinois State lottery, authorized by the Legislature to raise funds for the purpose of draining the ponds and lakes in the American bottom, and of improving the health thereof. Class No: 1 ... Alton, Printed at the "Telegraph" Of

Drawing of the Illinois state lottery. Authorized by the Legislature to raise funds, for the purpose of draining the ponds and lakes in the American bottom, and of improving the health thereof. Extra class no: 2 ... Alton, February 1, 1839.

Drawing of the Illinois state lottery. Authorized by the Legislature to raise funds, for the purpose of draining the ponds and lakes in the American bottom, and of improving the health thereof. Extra class no: 2 ... Alton, February 1, 1839.

[Sac and Fox Indian country, State of Missouri, State of Illinois; bottom right.]

[Sac and Fox Indian country, State of Missouri, State of Illinois; bottom right.]

Map of the hydrographical basin of the upper Mississippi River [bottom left].

Map of the hydrographical basin of the upper Mississippi River [bottom left].

Geo. H. Snelling, Esq:- Dear Sir,- In answer to your note, of the 31st ult., I reply that in my opinion, there are no practical difficulties to be apprehended in the modification proposed by you in the plan for filling the marshes at the bottom

Geo. H. Snelling, Esq:- Dear Sir,- In answer to your note, of the 31st ult., I reply that in my opinion, there are no practical difficulties to be apprehended in the modification proposed by you in the plan for filling the marshes at the bottom

Details of dome, bottom plate under interior balustrade, one step above floor of peristyle

Details of dome, bottom plate under interior balustrade, one step above floor of peristyle