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The only Chinese bill that the president cannot veto

The only Chinese bill that the president cannot veto

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Summary

Print shows a Chinese laundry ticket that states "Clothes are given to the person showing the check - all responsibility then ceases. None given without a check; if lost, goods cannot be claimed. Not responsible for goods left over sixty days."
Title from item.
Signed in Greek in lower right corner.
Illus. from Puck, v. 11, no. 266, (1882 April 12), cover.
Copyright 1882 by Keppler & Schwarzmann.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

Puck was founded by Austrian-born cartoonist Joseph Keppler and his partners as a German-language publication in 1876. Puck’s first English-language edition in 1877. The magazine name came from Shakespeare’s Midsummer Night’s Dream: “What fools these mortals be!” Puck used lithography instead of wood engraving and offered three cartoons vs. one of competitors. The cartoons were initially printed in black and white, but soon it changed into full, eye-catching color. Within a few years, Judge supplanted Puck as the leading humor magazine.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

In the 19th century, a majority of Chinese immigrants were single men who worked for a while and returned home. At first, they were attracted to North America by the gold rush in California. A relatively large group of Chinese immigrated to the United States between the start of the California gold rush in 1849 and 1882, before federal law stopped their immigration. After the gold rush, Chinese immigrants worked as agricultural laborers, on railroad construction crews throughout the West, and in low-paying industrial jobs. Soon, many opened their own businesses such as restaurants, laundries, and other personal service concerns. With the onset of hard economic times in the 1870s, European immigrants and Americans began to compete for the jobs traditionally reserved for the Chinese. Such competition was accompanied by anti-Chinese sentiment, riots, and pressure, especially in California, for the exclusion of Chinese immigrants from the United States. The result was the Chinese Exclusion Act, passed by Congress in 1882. This Act virtually ended Chinese immigration for nearly a century.

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Date

01/01/1882
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Source

Library of Congress
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No known restrictions on publication.

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