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The national game. Three "outs" and one "run"

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The national game. Three "outs" and one "run"

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A pro-Lincoln satire, deposited for copyright weeks before the 1860 presidential election. The contest is portrayed as a baseball game in which Lincoln has defeated (left to right) John Bell, Stephen A. Douglas, and John C. Breckinridge. Lincoln (right) stands with his foot on "Home Base," advising the others, "Gentlemen, if any of you should ever take a hand in another match at this game, remember that you must have a good bat' and strike a fair ball' to make a clean score' & a home run.'" His "good bat" is actually a wooden rail labeled "Equal Rights and Free Territory." Lincoln wears a belt inscribed "Wide Awake Club." (See no. 1860-14 on the Wide-Awakes.) A skunk stands near the other candidates, signifying that they have been "skunk'd." Breckinridge (center), a Southern Democrat, holds his nose, saying, "I guess I'd better leave for Kentucky, for I smell something strong around here, and begin to think, that we are completely skunk'd.'" His bat is labeled "Slavery Extension" and his belt "Disunion Club." At far left John Bell of the Constitutional Union party observes, "It appears to me very singular that we three should strike foul' and be put out' while old Abe made such a good lick.' Bell's belt says "Union Club," and his bat "Fusion." Regular Democratic nominee Douglas replies, "That's because he had that confounded rail, to strike with, I thought our fusion would be a short stop' to his career." He grasps a bat labeled "Non Intervention."

Probably drawn by Louis Maurer.
Inscribed bottom center: "Sept. 15, 1860."
Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 4766
Weitenkampf, p. 124
Wilson, p. 26-27
Lorant, p. 241
Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1860-42.
Exhibited: "Baseball Americana," at the Library of Congress, Thomas Jefferson Building, South Gallery (LJ-250), February 4 - July 31, 2019.

New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand-colored. The firm called itself "the Grand Central Depot for Cheap and Popular Prints" and advertised its lithographs as "colored engravings for the people". The firm adopted the name "Currier and Ives" in 1857.

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Date

01/01/1860
person

Contributors

Currier & Ives.
Maurer, Louis, 1832-1932, artist
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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