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Still from King Baggot - film Kissed - 1922 - Universal - EYE FOT883422

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Still from King Baggot - film Kissed - 1922 - Universal - EYE FOT883422

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Nederlands: Filmfoto.English: Film still from the American comedy film Kissed (1922).

By 1908 there were 10,000 permanent movie theaters in the U.S. alone. For the first thirty years, movies were silent, accompanied by live musicians, sound effects, and narration. Until World War I, movie screens were dominated by French and Italian studios. During Great War, the American movie industry center, "Hollywood," became the number one in the world. By the 1920s, the U.S. was producing an average of 800 feature films annually, or 82% of the global total. Hollywood's system and its publicity method, the glamourous star system provided models for all movie industries. Efficient production organization enabled mass movie production and technical sophistication but not artistic expression. In 1915, in France, a group of filmmakers began experimenting with optical and pictorial effects as well as rhythmic editing which became known as French Impressionist Cinema. In Germany, dark, hallucinatory German Expressionism put internal states of mind onscreen and influenced the emerging horror genre. The Soviet cinema was the most radically innovative. In Spain, Luis Buñuel embraced abstract surrealism and pure aestheticism. And, just like that, at about its peak time, the silent cinema era ended in 1926-1928.

Marie Prevost was a Canadian-born actress who gained popularity during the silent film era in Hollywood. She was born on November 8, 1896, in Sarnia, Ontario, Canada, and began her career in entertainment as a chorus girl in New York City before transitioning to acting in silent films. Prevost appeared in numerous films throughout the 1920s, often portraying roles in comedies and dramas. Some of her notable films include "The Marriage Circle" (1924), directed by Ernst Lubitsch, and "The Racket" (1928), directed by Lewis Milestone. She was known for her charm and versatility on screen. However, with the transition to sound films in the late 1920s, Prevost's career began to decline. Despite efforts to adapt to the new medium, she faced personal and professional challenges, including financial struggles and difficulties in securing roles that matched her previous success. Tragically, Marie Prevost's life ended at the age of 40. She passed away on January 21, 1937, in Hollywood, California. Her death was attributed to a combination of factors, including alcoholism and malnutrition.

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1922
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EYE Film Institute Netherlands
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