[Ship deck with sailors and cannons]
Photograph possibly by George H. Houghton, photographer of other photographs in this album and fellow resident of Mead's in Brattleboro, Vermont. Houghton worked as a photographer at Camp Griffin and in the Tidewater area of Virginia during the time that Larkin Goldsmith Mead spent there with the Army of the Potomac as an artist for Harper's Weekly and making topographical drawings for Brig. Gen. William F. Smith in 1861 and 1862.
Title devised by Library staff.
Attribution of location and date based on other photos in album.
In album: [Album of ephemera and Civil War era photographs; photos and album compiled by Larkin Goldsmith Mead], loose photo no. 4.
Digitized, 2014. Funding from The Center for Civil War Photography.
Accession box no. DLC/PP-1975:071
After first battles involving of American ironclads (both with wooden ships and with one another) in 1862 during the American Civil War, it became clear that the ironclad had championed the unarmored ship as the most powerful warship. This type of ship would come to be very successful in the American Civil War. This change was pushed forward by the development of heavier naval guns (the ironclads of the 1880s carried some of the heaviest guns ever mounted at sea at the time), more sophisticated steam engines, and advances in metallurgy which made steel shipbuilding possible. An ironclad is a steam-propelled warship protected by iron or steel armor plates used in the early part of the second half of the 19th century. The ironclad was developed as a result of the vulnerability of wooden warships to explosive or incendiary shells. The first ironclad battleship, Gloire, was launched by the French Navy in November 1859. In early 1859 the Royal Navy started building two iron-hulled armored frigates, and by 1861 had made the decision to move to an all-armored battle fleet. The rapid development of warship design in the late 19th century transformed the ironclad from a wooden-hulled vessel that carried sails to supplement its steam engines into the steel-built, turreted battleships and cruisers of the 20th century.
In the early years of the war many civilian ships were confiscated for military use, while both sides built new ships. The most popular ships were tinclads—mobile, small ships that actually contained no tin. These ships were former merchant ships, generally about 150 feet in length, with about two to six feet of draft, and about 200 tons. Shipbuilders would remove the deck and add an armored pilothouse as well as sheets of iron around the forward part of the casemate and the engines. Most of the tinclads had six guns: two or three twelve-pounder or twenty-four-pounder howitzers on each broadside, with two heavier guns, often thirty-two-pounder smoothbores or thirty-pounder rifles, in the bow. These ships proved faster than ironclads and, with such a shallow draft, worked well on the tributaries of the Mississippi.
"The first effect of looking at a good photograph through the stereoscope is a surprise such as no painting ever produced. The mind feels its way into the very depths of the picture. The scraggy branches of a tree in the foreground run out at us as if they would scratch our eyes out. The elbow of a figure stands forth as to make us almost uncomfortable." Oliver Wendell Holmes, an affordable stereo viewer inventor for the American market. Atlantic Monthly, June 1859.
During the Civil War, photographers produced thousands of stereoviews. Stereographs were popular during American Civil War. A single glass plate negative capture both images using a Stereo camera. Prints from these negatives were intended to be looked at with a special viewer called a stereoscope, which created a three-dimensional ("3-D") image. This collection includes glass stereograph negatives, as well as stereograph card prints.
Ironclad WarIronclads of American Civil War Time
Steamships of The Civil War TimeDuring Civil War, both Union and Confederates relied on steamboats to move troops and supplies - steamboats made the war possible.
Retro VR - StereoscopeStereographs consist of two nearly identical photographs, paired to produce the illusion of a single three-dimensional image when viewed through a stereoscope.
Civil War in StereoAmerican Civil War Stereoscopic Views, 1861-1865