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Sergeant Alex Rogers with Battle Flag, Eighty-third Pennsylvania Volunteers, Third Brigade, First Division, Fifth Corps, Army of the Potomac

Sergeant Alex Rogers with Battle Flag, Eighty-third Pennsylvania Volunteers, Third Brigade, First Division, Fifth Corps, Army of the Potomac

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description

Summary

This unusual horizontal carte de visite—a period copy of a now-lost ambrotype or tintype—shows Sergeant Alex Rogers proudly posing for the camera holding the scarred colors, or flag, of the Eighty-third Pennsylvania Volunteers. He and his fellow soldiers fought on virtually every Eastern battlefield and suffered the second highest number of battle deaths of any Union regiment. As seen here, infantry flags were large—more than six feet in length—and affixed to staffs almost ten feet tall that made them easy to rally around during the mess of battle. Their size, however, also made them targets for enemy fire and contributed to the high mortality rate of color bearers.
Unknown (American)

Hundreds of photographers whose names may never be known made their living following the armies during the Civil War. They worked out in the field tents and traveled at a moment’s notice. Photographers recorded the faces of tens of thousands of soldiers: new recruits and veterans—producing a vast likeness of American society. Many Civil War photographers began their careers as apprentices to Mathew B. Brady, America's self-appointed photographic "historian." Initially, a small corps of photographers copied maps and charts for the Union's Secret Service, which were distributed as photographic prints to both field and division commanders. During the Civil War, most photographers worked with the collodion-on-glass negatives, which required delicate and laborious procedures even in the studio. When the photographer was ready for action, a sheet of glass was cleaned, coated with collodion, partially dried, dipped carefully into a bath containing nitrate of silver, then exposed in the camera for several seconds and processed in the field darkroom tent--all before the silver collodion mixture had dried. Given the danger of their situation and the technical difficulty of their task, front-line photographers rarely if ever attempted action scenes. Civil War photographers produced vast photographic documentation of the Civil War. Despite decades of painstaking research by dedicated historians and Civil War buffs, a large number of the era's photographs remain unidentified.

date_range

Date

1863
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Source

The Metropolitan Museum of Art
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