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Ringling Bros. tremendous 1200 character spectacle Joan of Arc--An inspiring, vivid picture ... the magnificent coronation of Charles VII

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Ringling Bros. tremendous 1200 character spectacle Joan of Arc--An inspiring, vivid picture ... the magnificent coronation of Charles VII

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Circus poster showing a medieval street parade with King Charles and Joan of Arc.
Copyright by The Strobridge Litho. Co., Cincinnati and New York.
Exhibited: Joan of Arc, Knights of Columbus Museum, New Haven, CT, May - August, 2007.

Circus performers, shows, posters and lithographs. Modern travelling circus started in the early 1800s. Circus advertising used to draw crowds - there were only one or two performances per circus stop. Many ads were simple woodblock prints mentioning the name of the circus, the price of admission. Later, in the early 20th century, colorful, fanciful custom designs of leaping animals, clowns, and ringmasters became standard for circus posters.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

Hachaliah Bailey established one of the earliest circuses in the United States around 1806. Barnum, who as a boy had worked as a ticket seller for Hachaliah Bailey's show, had run the Barnum's American Museum from New York City since 1841. Barnum brought in to the museum animals to add zoo-like elements, and a freak show and took the Museum on road tours, named "P.T. Barnum's Grand Traveling American Museum". The latter show was named "P.T. Barnum's Great Traveling Museum, Menagerie, Caravan, and Hippodrome". The show combined elements of museum, menagerie, variety performance, concert hall, and circus", and considered it to potentially be "the Greatest Show on Earth", which subsequently became part of the circus's name. In the 1860s, The Cooper and Bailey Circus became the chief competitor to Barnum's circus. The two groups agreed to combine their shows in 1881 under name "P.T. Barnum's Greatest Show On Earth, And The Great London Circus, Sanger's Royal British Menagerie and The Grand International Allied Shows United", it was eventually shortened to "Barnum and Bailey's Circus". Bailey acquired Jumbo, advertised as the world's largest elephant, for the show that was touring the eastern United States and Europe. European tour started on December 27, 1897, and lasted until 1902 while dozens of small circuses toured the Midwest and the Northeast. Ringling brothers circus was one of them, it rapidly grew and soon started to move by train, becoming the largest traveling amusement enterprise of that time. Bailey's European tour gave the Ringling brothers an opportunity to move their show from the Midwest to the eastern seaboard. After Bailey died, the circus was sold to the Ringling Brothers in 1907. On March 29, 1919, "Ringling Bros. and Barnum & Bailey Combined Shows" debuted in New York City. The posters declared, "The Ringling Bros. World's Greatest Shows and the Barnum & Bailey Greatest Show on Earth are now combined into one record-breaking giant of all exhibitions." The circus flourished through the Roaring Twenties. The circus suffered during the 1930s due to the Great Depression, but managed to stay in business. During War, a special dispensation was given to the circus by President Roosevelt to use the rails to operate, in spite of travel restrictions imposed as a result of World War II. Many of the most famous images from the circus that were published in magazine and posters were captured by American Photographer Maxwell Frederic Coplan, who traveled the world with the circus. The Hartford circus fire occurred on July 6, 1944, in Hartford, Connecticut, during an afternoon performance that was attended by approximately 7,500 to 8,700 people. It was one of the worst fire disasters in the history of the United States. In the following investigation, it was discovered that the tent had not been fireproofed. Ringling Bros. had applied to the Army, which had an absolute priority on the material, for enough fireproofing liquid to treat their Big Top, but the Army had refused to release it to them. The post-war prosperity enjoyed by the rest of the nation was not shared by the circus as crowds dwindled and costs increased. Public tastes, influenced by the movies and television, abandoned the circus, which gave its last performance under the big top in Pittsburgh, Pennsylvania on July 16, 1956. In late 1967, Irvin Feld, Israel Feld, and Judge Roy Mark Hofheinz of Texas, together with backing from Richard C. Blum, the founder of Blum Capital, bought the company outright from North and the Ringling family interests for $8 million at a ceremony at Rome's Colosseum. The company was taken public in 1969. The circus's last performance was its "Out of This World" tour at Nassau Veterans Memorial Coliseum on May 21, 2017.

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01/01/1912
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Source

Library of Congress
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Public Domain

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