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Quarta exposicio del Circol de Sant Lluch

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Quarta exposicio del Circol de Sant Lluch

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Summary

lithographie

Public domain scan of printed advertisement, free to use, no copyright restrictions image - Picryl description

Prior to the introduction of lithography, primary poster printing techniques included the Wood Block technique and the Intaglio technique. Lithography was invented by Alois Senefelder in Germany in 1796, but not utilized until the mid-to-late 1800s until the introduction of “Cheret’s three stone lithographic process.” Three stones were used to create vibrant posters with intense color and texture. The stones used were typically red, yellow or blue, which enabled the artist to produce a poster featuring both graphics and text using any color of the rainbow. The main challenge was to keep the images aligned. This method lent itself to images consisting of large areas of flat color and resulted in the characteristic poster designs of this period. The first “Art Nouveau” poster was made by Chezch artist Alphonse Mucha who worked in Paris. Art Nouveau and Belle Epoque dominated Paris until about 1901. In 1898, a new artist took Paris by storm, who would later be donned the father of modern advertising – Leonetto Cappiello.

English art and Japanese art would cause a great influence on his creations. Riquer distinguished himself as a graphic designer with great drawing skills. He made posters, etchings, illustrations in books and magazines, certificates, postcards, stamps, menus, sheet music, business cards and bookplates (which Lluís de Yebra documented 142 articles between 1900 and 1924).

date_range

Date

1920 - 1929
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Source

Bibliothèque municipale de Lyon
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Public Domain Marked

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riquer alexandre de 1856 1920
riquer alexandre de 1856 1920