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Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses

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Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses

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Summary

Public domain scan of 17th-century drawing, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Date

1526
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Source

Metropolitan Museum of Art
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Copyright info

Public Domain Dedication (CC0)

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giovanni jacopo caraglio
giovanni jacopo caraglio