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Philanthropic Consolations, after the loss of the Slave-Bill

Philanthropic Consolations, after the loss of the Slave-Bill

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description

Summary

William Wilberforce and Samuel Horsley, Bishop of Rochester, cavort with two black women in a well-furnished room. Wilberforce and a woman, wearing a print dress with her breasts exposed, sit on a couch smoking cheroots. Horsely, in his bishop's robes, embraces a woman sitting on his knee holding a wine glass. A black servant boy brings in a tray of filled glasses.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

date_range

Date

01/01/1796
person

Contributors

Gillray, James, 1756-1815, engraver
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Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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