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Pennsylvania Light Artillery, Battery B, Petersburg, Virginia

Pennsylvania Light Artillery, Battery B, Petersburg, Virginia

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Summary

Civil War photographers were most effective at chronicling things that did not move, such as heavy mortars, bridges, tents, and ruins—subjects that cameras had more or less successfully recorded since the medium’s birth twenty years earlier. The essential problem for a war photographer interested in frontline drama was not lack of daring but the long times (two to five seconds depending on the amount of sun) required to properly expose a large-format collodion-on-glass negative typically used in the field. Here, in Petersburg, Virginia, Timothy H. O’Sullivan attempted something extraordinary for the period—an action shot. Whether or not Battery B was truly under fire or just drilling is moot, as the photograph is a welcome exception that offers a lyrical view of the poetics of battlefield artillery.
Timothy H. O'Sullivan (American, born Ireland, 1840–1882)

Hundreds of photographers whose names may never be known made their living following the armies during the Civil War. They worked out in the field tents and traveled at a moment’s notice. Photographers recorded the faces of tens of thousands of soldiers: new recruits and veterans—producing a vast likeness of American society. Many Civil War photographers began their careers as apprentices to Mathew B. Brady, America's self-appointed photographic "historian." Initially, a small corps of photographers copied maps and charts for the Union's Secret Service, which were distributed as photographic prints to both field and division commanders. During the Civil War, most photographers worked with the collodion-on-glass negatives, which required delicate and laborious procedures even in the studio. When the photographer was ready for action, a sheet of glass was cleaned, coated with collodion, partially dried, dipped carefully into a bath containing nitrate of silver, then exposed in the camera for several seconds and processed in the field darkroom tent--all before the silver collodion mixture had dried. Given the danger of their situation and the technical difficulty of their task, front-line photographers rarely if ever attempted action scenes. Civil War photographers produced vast photographic documentation of the Civil War. Despite decades of painstaking research by dedicated historians and Civil War buffs, a large number of the era's photographs remain unidentified.

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Date

1864
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Source

The Metropolitan Museum of Art
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