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Paul and Francesca di Rimini, by Ludwig von Hofmann-Zeitz

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Paul and Francesca di Rimini, by Ludwig von Hofmann-Zeitz

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Paul and Francesca di Rimini, by Ludwig von Hofmann-Zeitz
Identifier: scienceofeugenic00hadd (find matches)
Title: The science of eugenics and sex life, the regeneration of the human race ..
Year: 1914 (1910s)
Authors: Hadden, Walter J Robinson, Charles H Melendy, Mary Ries, 1842- (from old catalog)
Subjects: Eugenics Marriage Beauty, Personal Women
Publisher: Philadelphia, Pa., National publishing co
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress



Text Appearing Before Image:
HOW LONG —Herbert Schmalz It is better to have loved and lost, than never to have loved at all. —Tennyson.
Text Appearing After Image:
PAUL AND FRANCESCA di RIMINI ■L. Hoffman-Zeitz The most pathetic episode in Dantes sreat poem, The Divine Comedy.* Promised inmarriage to a deformed man, who sends his handsome brother to represent him at thehetrothal, Franeesea thinking him to he her promised husband, falls in love with him,and her love is reciprocated. Both are put to death in consequence. The poem unitesthem in the spirit world.

He was born in Darmstadt. His father was the Prussian statesman Karl von Hofmann, who served as Minister-president of the Grand Duchy of Hesse from 1872 to 1876 and was briefly Trade Minister in the cabinet of Otto von Bismarck. Ludwig began his studies in 1883 at the Dresden Academy of Fine Arts, then studied with Ferdinand Keller at the Academy of Fine Arts, Karlsruhe. In 1889, he attended the Académie Julian in Paris, where he came under the influence of Pierre Puvis de Chavannes and Paul-Albert Besnard. After 1890, he was a freelance painter in Berlin. From 1894 to 1900, he travelled extensively and spent a great deal of his time at his villa in Fiesole. His appreciation of antiquity and attraction to the idea of Arcadia permeates much of his work. After 1895, he was a regular contributor of illustrations for the Art Nouveau magazine Pan. In 1896, he became a member of the Berlin Secession and he was married in 1899. He was also a member of the Deutscher Künstlerbund In 1903, he was appointed a Professor at the Weimar Saxon Grand Ducal Art School, where he became a member of the avant-garde literary and artistic group centered around Harry Graf Kessler. Jean Arp and Ivo Hauptmann were among his students. In 1916, he was named a Professor at the Academy in Dresden, where he remained until 1931. He also provided illustrations for a new translation of the Odyssey by Leopold Ziegler and works by Gerhart Hauptmann (Ivo's father).

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1914
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ludwig von hofmann zeitz
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