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Panteon, 19th century - Early photography, Public domain image

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Panteon, 19th century - Early photography, Public domain image

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Summary

Eugène Constant (French, active Italy, 1848–55)

The albumen silver print is a photographic printing process that was widely used in the 19th century. It involves coating paper support with a mixture of egg whites and salt, which creates a glossy surface to hold light-sensitive silver salts. The paper is then sensitized in a solution of silver nitrate, and exposed in a camera or under a negative. After exposure, the print is developed in a solution of gallic acid and silver nitrate, which reduces the silver salts to metallic silver and creates the final image. The albumen print process was widely used for commercial and fine art photography in the 19th century and produced high-quality, detailed images with a distinctive glossy finish.

Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.

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Date

1848 - 1851
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Source

Metropolitan Museum of Art
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Copyright info

Public Domain Dedication (CC0)

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eugene constant
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