Olga Spessiva in Swan Lake costume, 1934 / photographer Sydney Fox Studio, 3rd Floor, 88 King St, Sydney

The State Library of New South Wales' major subject strengths are Australian history, culture and literature, including Aboriginal studies, Antarctic exploration, family history and genealogy, business and management, social sciences, applied science, biography, health and law. The State Library is home to one of Australia’s most significant historical and heritage collections. As well as nearly 11 kilometres of manuscripts – from nine 1788 First Fleet journals through to the archives of contemporary organisations and writers – the Library holds more than one million photographs. From the earliest surviving photograph taken in Australia – in January 1845 – through to digital photographs taken last month, the Library’s unrivalled photographic collections document with powerful clarity the way Australians have lived their lives over two centuries. You can find out more about the State Library's photographic collections on our website: www.sl.nsw.gov.au/about/collections/photographs.html More broadly the Library’s collecting reach spans a multitude of platforms: the Library’s mission is to collect, preserve and make accessible the documentary heritage of New South Wales. It holds over 5 million items including books, oil paintings, watercolours, architectural plans, engravings & lithographs, magazines and periodicals, posters, ephemera, sheet music, talking books, maps, CD-ROMs, newspapers, microfilm and microfiche, films and videos, computer software, kits, sound recordings, photographs, coins, postage stamps and other objects.

Russia is home of the worlds two most famous ballet companies—the Bolshoi and the Kirov (Maryinsky) —and the source of ballet’s greatest dancers: Nijinsky, Pavlov, Nureyev and Baryshnikov. Russians are big ballet fans. Sometimes they applaud cameo performers before they step on stage. Russian ballet, some critics say, has achieved greatness by blending classicism and Russian folk dance. Vakil Usmanof, former choreographer for the Moscow Ballet School, told the Economist, "The Russian tradition is unique, with its own internal conception closely related to the Russian soul. It is not modern, not jazz but exclusively classical.”