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Shigenaga Nishimura - [Moon viewing at Shinagawa]

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Shigenaga Nishimura - [Moon viewing at Shinagawa]

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Summary

Print shows men and women eating and entertaining while looking at the full moon at a large building or pavilion in Shinagawa, on the Tōkaidō Road.
Title devised by Library staff.
Adachi modern reprint (Showa).
Forms part of: Japanese prints and drawings (Library of Congress).

Woodblock printing in Japan (木版画, moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Woodblock printing appeared in Japan at the beginning of Edo period, when Tokugawa shogunate was ruled by th​e Japanese society. This technique originated from China, where it was used to print books for many centuries. Its original name is ‘moku-hanga’ and it has a wide usage in artistic genre of ‘ukiyo-e’. As opposed to western tradition, where artists used oil-based inks for woodcuts, moku-hanga technique uses water-based inks. That is why those prints had colors so vivid, as well as glazes, and transparency. This collection describes Japanese printmaking different schools and movements. The most notable of them were: - From 1700: Torii school - From 1700-1714: Kaigetsudō school - From 1720s: Katasukawa school, including the artists Shunsho and Shuntei - From 1725: Kawamata school including the artists Suzuki Harunobu and Koryusai - From 1786: Hokusai school, including the artists Hokusai, Hokuei and Gakutei - From 1794: Kitagawa school, including the artists Utamaro I, Kikumaro I and II - From 1842: Utagawa school, including the artists Kunisada and Hiroshige - From 1904: Sōsaku-hanga, "Creative Prints" movement - From 1915: Shin-hanga "New Prints" school, including Hasui Kawase and Hiroshi Yoshida Woodblock prints were provided by the Library of Congress and cover the period from 1600 to 1980.

During the Edo period (1603-1868), ukiyo-e (浮世絵/"floating world pictures"), woodblock cuts exploded in popularity across Japan. Throughout the Edo period, the moon remained a very popular subject for ukiyo-e art. Scenes of nightlife in Edo (modern-day Tokyo) and Kyoto and prints depicting a gigantic moon (or 'ukiyo-e moon') floating over houses, temples, and Japanese landmarks were hugely popular. The Rimpa school was known for its half-moons, which adorned many of their paintings. Perhaps the most famous series with the ukiyo-e moon as a theme is Tsukioka Yoshitoshi's "One Hundred Aspects of the Moon" series. Most sets of the series published in 1885 underneath a full moon. "One Hundred Aspects of the Moon" was one of the last of the great ukiyo-e series to be published.

date_range

Date

01/01/1726
person

Contributors

Nishimura, Shigenaga, 1697-1756, artist
place

Location

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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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clothing and dress
clothing and dress
japan
japan
moon
moon
women
women
social life
social life
men
men
pavilions
pavilions
entertainment
entertainment
tōkaidō japan
tōkaidō japan
ukiyo e
ukiyo e
japanese
japanese
color
color
woodcuts
woodcuts
reproductions
reproductions
shinagawa
shinagawa
1726
1726
japanese woodblock prints
japanese woodblock prints
prints
prints
18th century
18th century
history of japan
history of japan
fine prints japanese pre 1915
fine prints japanese pre 1915
shigenaga nishimura
shigenaga nishimura
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ultra high resolution
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high resolution
japanese art
japanese art