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Matsumoto kōshirō, iwaya hanshirō, nakamura shikan

Matsumoto kōshirō, iwaya hanshirō, nakamura shikan



Print shows two actors on the shoulders of a giant and the third actor leaping onto the giant.
Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-2006.
Format: vertical Oban Nishikie triptych.
Triptych matted in 3 sections: left (618a), center (618b), right (618c).
Forms part of: Japanese prints and drawings (Library of Congress).

Woodblock printing in Japan (木版画, moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Woodblock printing appeared in Japan at the beginning of Edo period, when Tokugawa shogunate was ruled by th​e Japanese society. This technique originated from China, where it was used to print books for many centuries. Its original name is ‘moku-hanga’ and it has a wide usage in artistic genre of ‘ukiyo-e’. As opposed to western tradition, where artists used oil-based inks for woodcuts, moku-hanga technique uses water-based inks. That is why those prints had colors so vivid, as well as glazes, and transparency. This collection describes Japanese printmaking different schools and movements. The most notable of them were: - From 1700: Torii school - From 1700-1714: Kaigetsudō school - From 1720s: Katasukawa school, including the artists Shunsho and Shuntei - From 1725: Kawamata school including the artists Suzuki Harunobu and Koryusai - From 1786: Hokusai school, including the artists Hokusai, Hokuei and Gakutei - From 1794: Kitagawa school, including the artists Utamaro I, Kikumaro I and II - From 1842: Utagawa school, including the artists Kunisada and Hiroshige - From 1904: Sōsaku-hanga, "Creative Prints" movement - From 1915: Shin-hanga "New Prints" school, including Hasui Kawase and Hiroshi Yoshida Woodblock prints were provided by the Library of Congress and cover the period from 1600 to 1980.

Yakusha-e (役者絵), or "actor prints", are Japanese woodblock prints of kabuki actors, popular through the Edo period (1603–1867) and into the beginnings of the 20th century. Prints, especially earlier ones, depict actors generically, and plainly, showing in a sense their true natures as actors merely playing roles. Other prints, meanwhile, take something of the opposite: they show kabuki actors and scenes elaborately, intentionally blurring the distinction between a play and the actual events it seeks to evoke.

Utagawa Kunisada, 1786–1865 was Japanese artist who was probably the most prolific of all printmakers of the ukiyo-e (“pictures of the floating world”). Kunisada was a trendsetter in the art of the Japanese woodblock print. Kunisada produced between 20,000 and 25,000 designs for woodblock prints during his lifetime (i.e. 35,000 to 40,000 individual sheets). Following the traditional pattern of the Utagawa school, Kunisada's main occupation was kabuki and actor prints. He was also highly active in the area of bijin-ga (beautiful women). In 1840sand 1850s, Kunisada collaborated with both Hiroshige and Kuniyoshi in three major series as well as on a number of smaller projects. Notable students of Kunisada included Toyohara Kunichika, Utagawa Sadahide and Utagawa Kunisada II.





Utagawa, Toyokuni, 1786-1865, artist




Library of Congress

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