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Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual

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Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual

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Public domain photo of a golden object, Italy, free to use, no copyright restrictions image - Picryl description

The Presentation in the Temple, also known as the Purification of the Virgin or the Meeting of the Lord, is a scene from the New Testament that depicts the presentation of the baby Jesus in the Temple in Jerusalem. According to the Gospel of Luke, Mary and Joseph brought Jesus to the Temple to fulfill the requirements of Jewish law, which mandated that a mother who had given birth to a male child must undergo a period of purification before being allowed to reenter the community. At the Temple, they encountered two elderly prophets, Simeon and Anna, who recognized Jesus as the Messiah and praised God for his arrival.

The Presentation in the Temple is significant in several ways. It highlights the obedience of Mary and Joseph to the laws and traditions of their faith, and underscores their commitment to raising Jesus as a faithful Jew. It also foreshadows the role that Jesus would play as a teacher and leader, as Simeon and Anna recognized him as the Messiah and praised God for his arrival.

The scene is often depicted as a peaceful and contemplative moment, with Mary and Joseph holding the baby Jesus, while Simeon and Anna look on with awe and wonder. The imagery of the Presentation in the Temple is often used to evoke themes of obedience, devotion, and recognition of the divine presence in the world.

The image of Mary holding the Christ Child is a common depiction in Christian art and is known as the "Madonna and Child." It represents the mother of Jesus and her son and is a symbol of motherhood, love, and compassion.

Cosme Tura was an Italian painter and sculptor born around 1430 in Ferrara, Italy. He is known for his distinctive style, which combined elements of Gothic and Renaissance art. Tura worked primarily in his hometown of Ferrara, where he was commissioned by the ruling Este family to create many of his most famous works. Tura's early works were heavily influenced by the Gothic style, with its emphasis on highly stylised figures and elaborate decoration. However, as he matured as an artist, Tura began to incorporate more Renaissance elements into his work, such as a greater focus on perspective and naturalism. One of Tura's most famous works is the cycle of frescoes in the Palazzo Schifanoia in Ferrara, depicting the months of the year and their corresponding signs of the zodiac. The frescoes are notable for their intricate detail and vibrant colours, as well as their incorporation of astrological symbolism. Tura also created many altarpieces and religious paintings, often featuring elongated figures and exaggerated poses. His sculptures, mostly created in collaboration with his brother Jacopo, were similarly stylised and expressive. Despite his significant contributions to the art world, Tura's work was largely forgotten after his death in 1495. It wasn't until the 20th century that his work was rediscovered and appreciated for its unique style and innovative techniques.

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Date

1450 - 1460
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Source

Metropolitan Museum of Art
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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