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Madam Girard Gyer [as] Bartholdi's statue presented by the republic of France to America : a new sensation, original by this lady : Liberty represented by the original Mme. Girard Gyer.

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Madam Girard Gyer [as] Bartholdi's statue presented by the republic of France to America : a new sensation, original by this lady : Liberty represented by the original Mme. Girard Gyer.

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Summary

Q16801 U.S. Copyright Office
Created by "The Jno. B. Jeffery Print. and Eng. Co., Chicago."
Forms part of: Theatrical poster collection (Library of Congress)

The Statue of Liberty was a gift from the French people commemorating the alliance of France and the United States during the American Revolution. Yet, it represented much more to those individuals who proposed the gift. The "Father of the Statue of Liberty" was Edouard de Laboulaye, French jurist, poet, author and anti-slavery activist. He provided the idea that would become the Statue. In 1886, The Statue of Liberty was a symbol of democratic government and Enlightenment ideals as well as a celebration of the Union's victory in the American Civil War and the abolition of slavery. Edouard de Laboulaye, the French political thinker, U.S. Constitution expert, and abolitionist, who first proposed the idea of a great monument as a gift from France to the United States was a firm supporter of President Abraham Lincoln and his fight for abolition. Laboulaye saw abolition not only as a way to eliminate immorality, but also as a way to protest repressive tendencies in France. Auguste Bartholdi was the French sculptor who designed the Statue of Liberty. From 1855 to 1856, Bartholdi embarked on a life-changing trip throughout Europe and the Middle East with some fellow artists. When they visited the Sphinx and Pyramids of Giza in Egypt, Bartholdi discovered his passion for large-scale public monuments and colossal sculptures. In 1869, the Egyptian government expressed interest in designing a lighthouse for the Suez Canal. Eager and excited, Bartholdi designed a colossal statue of a robed woman holding a torch, which he called Egypt (or Progress) Brings Light to Asia. When he attended the canal's inauguration, however, Bartholdi was informed that he would not be able to proceed with the lighthouse. Although disappointed, Bartholdi received a second chance to design a colossal statue. In 1865, Edouard de Laboulaye proposed that a monument representing freedom and democracy be created for the United States. Bartholdi was a great supporter of Laboulaye's idea and in 1870 he began designing the Statue of "Liberty Enlightening the World." Eugene Viollet-le-Duc was the architect hired to design a support structure for the Statue but replaced with famous Alexandre-Gustave Eiffel, The Eiffel Tower's author. Richard Morris Hunt was the American architect who designed the pedestal under the Statue's feet. Joseph Pulitzer and Emma Lazarus helped raise the money needed to complete the pedestal's construction. Between 1886 and 1924, almost 14 million immigrants entered the United States through New York. The Statue of Liberty was a reassuring sign that they had arrived in the land of their dreams. To these anxious newcomers, the Statue's uplifted torch did not suggest "enlightenment," as her creators intended, but rather, "welcome." Over time, Liberty emerged as the "Mother of Exiles," a symbol of hope to generations of immigrants. President Franklin D. Roosevelt's 1936 speech in honor of the Statue's 50th Anniversary helped solidify the transformation of the Statue into an icon of immigration. From the beginning, the Statue of Liberty has stirred the emotions of ordinary people, and has inspired artists and commercial manufacturers to depict and honor her.

American Theatrical Posters: Musicals, Dance, Extravaganza

The Liberty Bell, “Stars and Stripes” or “Old Glory”, the bald eagle, the Statue of Liberty, the national anthem, “The Star-Spangled Banner,” the Unce Sam, symbols of U.S. States and more.

Prior to the introduction of lithography, primary poster printing techniques included the Wood Block technique and the Intaglio technique. Lithography was invented by Alois Senefelder in Germany in 1796, but not utilized until the mid-to-late 1800s until the introduction of “Cheret’s three stone lithographic process.” Three stones were used to create vibrant posters with intense color and texture. The stones used were typically red, yellow or blue, which enabled the artist to produce a poster featuring both graphics and text using any color of the rainbow. The main challenge was to keep the images aligned. This method lent itself to images consisting of large areas of flat color and resulted in the characteristic poster designs of this period. The first “Art Nouveau” poster was made by Chezch artist Alphonse Mucha who worked in Paris. Art Nouveau and Belle Epoque dominated Paris until about 1901. In 1898, a new artist took Paris by storm, who would later be donned the father of modern advertising – Leonetto Cappiello.

The collection includes posters advertising individual plays and operettas, burlesque, vaudeville, and specialty acts, dance companies, extravaganzas produced by the Kiralfy Brothers, portraits of entertainers, and stock posters. Featured performers include Julia Arthur, De Wolfe Hopper, Joseph Hart Vaudeville Co., Thomas W. Keene, Andrew Mack, Robert B. Mantell, Mathews & Bulger, Lewis Morrison, Phil Sheridan's New City Sports Co., Royal Lilliputians, and Jennie Yeamans. Directors, managers, and producers include Edward J. Abraham, Blaney, and Vance, William A. Brady, Sidney R. Ellis, W.J. Fielding, Charles Frohman, Hoyt & McKee, the Kiralfy Brothers, Jacob Litt, Rice & Burton, Rich & Harris, A.Q. Scammon, Sam S. Schubert, Thall & Kennedy, Fred E. Wright, Charles H. Yale, and others. Playwrights include David Belasco, George H. Broadhurst, Bartley Campbell, Charles Turner Dazey, Gilbert & Sullivan, William Gillette, Seymour Hicks, David Higgins, Bronson Howard, Cecil Raleigh, William Shakespeare, Sutton Vane, and others. Plays include such popular titles as Arizona, At Piney Ridge, By the sad sea waves, Devil's auction, Evangeline, Faust, Female drummer, H.M.S. Pinafore, The hidden hand, The last of the Rohans, Ole Olson, The Queen of Chinatown, Shenandoah, Siberia, The sporting life, Uncle Tom's cabin, Venice, The war of wealth, Way down East, Yon Yonson, and others. Images depicted include scenes from plays, portraits of performers, and performers performing. Featured entertainers are not always depicted in the image. Some posters are mainly textual with peripheral images.

date_range

Date

01/01/1885
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Contributors

Jno. B. Jeffery Pr. & Eng.
create

Source

Library of Congress
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Copyright info

No known restrictions on publication.

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