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Lyman H. Howe's new marvels in moving pictures / Courier Litho. Co., Buffalo, N.Y.

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Lyman H. Howe's new marvels in moving pictures / Courier Litho. Co., Buffalo, N.Y.

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Summary

Print shows people watching a motion picture in a theater of an infantry attack during the Spanish-American War; includes insert of head-and-shoulders portrait of Lyman H. Howe in upper left corner.

Copyright 1898 by Lyman H. Howe.
Written on recto: Battle on land.
Exhibited: "Moving Pictures : The Un-easy Relationship between American Art and Early Film" at the Williams College of Art, MA, and other venues, 2005-2007.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

The popularity of “moving pictures” grew in the 1920s. Movie "palaces" sprang up in all major cities. For a quarter or 25 cents, Americans escaped their problems and lose themselves in another era or world. People of all ages attended the movies with far more regularity than today, often going more than once per week. By the end of the decade, weekly movie attendance swelled to 90 million people. The silent movies gave rise to the first generation of movie stars. At the end of the decade, the dominance of silent movies began to wane with the advance of sound technology.

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Date

01/01/1898
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Contributors

Courier Company.
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Source

Library of Congress
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No known restrictions on publication.

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