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Lewis Carroll 1863 - A black and white photo of a man in a suit

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Lewis Carroll 1863 - A black and white photo of a man in a suit

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Public domain portrait photograph, 19th century, free to use, no copyright restrictions image - Picryl description.

Oscar Gustave Rejlander (1813–1875) was a pioneering Swedish photographer, best known for his innovative photographic techniques and his contributions to the development of early photography. Born in Sweden in 1813, Rejlander worked as a painter before turning to photography in the 1850s. He quickly gained a reputation for his innovative techniques, including the use of multiple negatives to create composite images and his ability to manipulate photographs to create dramatic effects. Rejlander's most famous work is 'Two Ways of Life' (1857), a composite image made from over thirty negatives, depicting a scene of debauchery contrasted with one of virtue. The image was widely reproduced and became one of the most popular and influential photographs of the Victorian era. Rejlander was also an accomplished portrait photographer, working with many of the notable figures of the day, including Charles Darwin and Queen Victoria. He continued to experiment with photographic techniques throughout his career and his work had a significant impact on the development of photography as an art form. Rejlander died in 1875, but his legacy lives on in his pioneering contributions to the field of photography.

Carroll (Charles Lutwidge Dodgson), the author of "Alice's Adventures in Wonderland," started photography in the mid-1850s when he was in his 20s. He was an early adopter of the medium and produced many hundreds of photographs during his lifetime. His primary camera was a foldable wood and leather-covered lens camera made by the English manufacturer, Ross. This type of camera, which was popular in the late 19th century, was equipped with a large format lens and was capable of producing detailed and sharp images. Lewis was known to have taken photographs of young girls, including Alice Liddell, who was the inspiration for the character of Alice in his books. Some of his photos were also taken as keepsakes for the families of the children he photographed, or as gifts for the children themselves. So who were some of the children photographed? Alice Liddell was the inspiration for the main character in Lewis Carroll's classic novel "Alice's Adventures in Wonderland." She was a real person and a close friend of Carroll's, and he told her the story of Alice's adventures one summer day in Oxford, England. Alice was the daughter of the dean of Christ Church College, where Carroll was a mathematics lecturer, and she was known for her beauty, intelligence, and imaginative spirit. Her interactions with Carroll and her role as the protagonist in his famous story have made her a lasting figure in literary and cultural history. Beatrice Henley was another girl who was depicted in the works of Lewis Carroll, although she is less well-known than Alice Liddell. Beatrice was a young actress who appeared in the productions of Carroll's plays. Effie Millais was the wife of the Pre-Raphaelite painter John Everett Millais and was also a close friend of Lewis Carroll. She was the subject of poems "A Late Walk" and "Solitude." Her connection to the Pre-Raphaelite movement adds another layer of cultural significance to her story. Gervase Bede (Greville) MacDonald was the younger brother of the British author George MacDonald and was also a close friend of Lewis Carroll. Greville was the subject of the poem "At the Zoo" and "The Three Sunsets". Cyril Bickersteth was the subject of some of his poems too. He was the son of the Rev. Edward Bickersteth, a prominent Anglican clergyman and hymn writer. Hallam Tennyson was the son of the British poet Alfred, Lord Tennyson, and was a close friend of Lewis Carroll. He was depicted in several of Carroll's photographs and was the subject of poems "The Day's Dying" and "The Children's Season." Irene MacDonald was the subject of some of his poems "In the Theater" and "The Little Maid." Irene and Mary MacDonald were two of the five children of Scottish novelist and poet George MacDonald. Carroll was a friend of the family, and the children affectionately called him "Uncle." It was the MacDonalds to whom he read the manuscript of The Adventures of Alice and who urged him to publish the work. Merion Terry (also known as "Polly") and Florence Maud Terry were sisters and were the subject of poems "At the Seaside" and "Echoes." Louisa, Margaret, and Henrietta Dodgson were the sisters of Lewis Carroll. Agnes Grace Weld was a young girl who was depicted in several of Lewis Carroll's photographs. She was the daughter of the Rev. Francis Weld, a close friend of Carroll's. Grace Denman was a young girl who was depicted in several of Lewis Carroll's photographs. She was the daughter of the Rev. Dr. Denman. Maria L. White was a daughter of the Rev. Dr. White, a close associate of Carroll's. Florence Bickersteth was the daughter of the Rev. Edward Bickersteth. The Millais family was a close circle of friends of Lewis Carroll. They were associated with the Pre-Raphaelite movement in art and included the famous painter John Everett Millais, as well as his wife Effie Gray Millais and their children. Lewis Carroll was a frequent visitor to the Millais home and photographed their daughter Mary Millais. Dante Gabriel, Christina, and William Michael Rossetti were members of the famous Rossetti family and were too associated with the Pre-Raphaelite movement in art. Dante Gabriel Rossetti was a famous painter, poet, and translator, while Christina Rossetti was a poet and writer. William Michael Rossetti was a critic and scholar. Ivo Bligh, 8th Earl of Darnley, was a British peer and amateur cricketer who is best known for leading a cricket team on a tour of Australia in 1882-1883, which resulted in the creation of the Ashes series. Charles' interest in photographing young girls recently became a subject of controversy, as some have interpreted it as a manifestation of his supposed pedophilic tendencies. Nevertheless, there is no evidence to support such claims, and many experts consider his photographs to be a product of their time and a reflection of Victorian time attitudes towards children and childhood.

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