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Leven van de heilige Franciscus van Assisi

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Leven van de heilige Franciscus van Assisi

description

Summary

In het midden de heilige Franciscus die de stigmata ontvangt. Rondom deze voorstelling 29 kleinere voorstellingen, waaronder portretten van andere heiligen en scènes uit het leven van Franciscus. Midden onder een cartouche met een Latijnse tekst in twee kolommen.

A cartouche or cartouch is an oval design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low relief design. In Early Modern design, since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartoccia. Such cartouches are characteristically stretched, pierced and scrolling (illustration, left). Another cartouche figures prominently in the title page of Giorgio Vasari's Lives, framing a minor vignette with a device of pierced and scrolling papery cartoccia.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

date_range

Date

1580 - 1607
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Source

Rijksmuseum
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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