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Leslie Ward - Vanity Fair, Miscellaneous, ^Created in 1646^, The Earl of Selkirk, May 20, 1882 - B1979.14.483 - Yale Center for British Art

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Leslie Ward - Vanity Fair, Miscellaneous, ^Created in 1646^, The Earl of Selkirk, May 20, 1882 - B1979.14.483 - Yale Center for British Art

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The portraits were produced as watercolours and turned into chromolithographs for publication in the magazine. These were then usually reproduced on better paper and sold as prints. Such was his influence in the genre that all Vanity Fair caricatures are sometimes referred to as "Spy cartoons" regardless of who the artist actually was. Early portraits, almost always full-length (judges at the bench being the main exception), had a stronger element of caricature and usually distorted the proportions of the body, with a very large head and upper body supported on much smaller lower parts. Later, as he became more accepted by his social peers, and in order not to offend potential sitters, his style developed into what he called "characteristic portraits". This was less of a caricature and more of an actual portrait of the subject, using realistic body proportions.

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The Earl of Selkirk

London, UK

A caricature of The Earl of Selkirk, depicted in Vanity Fair.

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1882
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Yale Center for British Art
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public domain

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chromolithographs in the yale center for british art
chromolithographs in the yale center for british art
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