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Lega. Libretto. Italian Opera. Public domain libretto, Library of Congress

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Lega. Libretto. Italian Opera. Public domain libretto, Library of Congress

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tratto dal dramma Enrico III e la sua corte di Alessandro Dumas da G. Jacquemet ; tradotto da Carlo d'Ormeville ; posto in musica da Giovanni Josse ; R. teatro alla Scala stagione di quaresima 1875. (statement of responsibility)
U.S. RISM Libretto Project.
Legal notice--p. 2.
"Maestro concertatore e direttore per le opere, Franco Faccio"--p. 4.
"Sostituti, Bernardi Enrico e Pagnoncelli Gio. Battista"--p. 4.
"Maestro direttore dei cori, Zarini Emanuele; sostituto, Sala Giuseppe"--p. 4.
"Primi violini solisti: Corbellini Vincenzo, Rampazzini Giovanni"--p. 4.
"Primo dei secondi violini, Bastoni Giovanni"--p. 4.
"Primo violino e direttore d'orchestra pel ballo, Bolelli Gio. Battista"--p. 4.
"Sostituto, Roncati Carlo"--p. 4.
"Prime viole a perfetta vicenda: Cavallini Eugenio, Di Carlo Francesco"--p. 4.
"Sostituto, Fabbiani Giuseppe"--p. 4.
"Prima viola per l'opera, Santelli Giuseppe"--p. 4.
"Primi violoncelli a vicenda per l'opera: Truffi Isodoro, Quarenghi Guglielmo"--p. 4.
"Primo violoncello pel ballo, Nani Giovanni"--p. 4.
"Primo contrabbasso per l'opera, Negri Luigi"--p. 4.
"Sostituto, Jenuscky Giovanni"--p. 4.
"Primo contrabbasso al cembalo pel ballo, Luigi Fiontelli"--p. 4.
"Primo flauto: per l'opera, Zamperoni Antonio; pel ballo, Gillone Emilio"--p. 4.
"Primo ottavino, Cantù Giuseppe"--p. 4.
"Primo oboè: per l'opera, Confalonieri Cesare; pel ballo, Cesari Luigi"--p. 4.
"Primo clarinetto: per l'opera, Orsi Romeo; pel ballo, Sassella Luigi"--p. 4.
"Primo fagotto: per l'opera, Torriani Antonio; pel ballo, Borghetti Guiseppe"--p. 4.
"Primi corni: per l'opera, Laurini Domisio, Languiller Marco"--p. 4.
"Primo corno pel ballo, Mariani Giuseppe"--p. 4.
"Prima tromba: per l'opera, Falda Gaetano; pel ballo, Priora Eugenio"--p. 4.
"Primi tromboni: Bernardi Paolo, Balestra Luigi, Neri Pio"--p. 4.
"Bombardone, Castelli Antonio"--p. 4.
"Prima arpa: per l'opera, Borio Angelo; pel ballo, Nardari Alessandro"--p. 4.
"Gran cassa, Marcellini Gaudenzio"--p. 4.
"Organo e fisarmonica, Zarini Emanuele"--p. 4.
"Direttore di scena, Cav. Carlo d'Ormeville"--p. 4.
"Ispettore per l'opera, Archinti Gaetano"--p. 4.
"Ispettore pel ballo, Viganò Davide"--p. 4.
"Rammentatore, Gilardi Canzio"--p. 4.
"Direttore ed inventore delle scene, Cav. Ferrario Carlo"--p. 4.
"Sostituto al signor Ferrario, Giacopelli Giuseppe"--p. 4.
"Appaltatore, direttore ed inventore del macchinismo, Mastellari Gaetano"--p. 4.
"Vestiarista proprietario, Zamperoni Luigi"--p. 4.
"Fornitore proprietario dei pianoforti, Erba Luigi"--p. 4.
"Attrezzista proprietario, Gaetano Croce e figlio"--p. 4.
"Fornitore delle maglie, Enrico Beati"--p. 4.
"Fiorista e piumista, Borroni Teresa"--p. 4.
"Parrucchiere, ditta Venegoni"--p. 4.
"Giojelliere, Corbella Napoleone"--p. 4.
"Calzolajo, Fumagalli Francesco"--p. 4.
Personaggi: ENRICO III. de Filippis Giov. -- CATERINA DE MEDICI. Cappelli Fernanda -- ENRICO DI LORENA. Sparapani Senatore -- IL CONTE DI SAINT-MEGRIN. Gayarre Giuliano -- D'EPERNON. Moretti Carlo -- JOYEUSE. Bertocchi Argimiro -- SAINT-LUC. Cornago Giovanni -- RUGGIERI. Marchetti Giovanni -- LA DUCHESSA DI GUISA. Mantilla Maria -- LEO. Valleria Alvina--p. 3.
Performance: Milano, Teatro alla Scala, 1875. (venue)

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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01/01/1875
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Location

italy
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Source

Library of Congress
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Public Domain

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