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Jacob Willemsz. van Veen (1456–1535), the Artist's Father

Jacob Willemsz. van Veen (1456–1535), the Artist's Father

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This sober image of the artist's father was painted in the year Heemskerck left Haarlem for an extended trip to Italy. The inscription on the parapet reads, "My son portrayed me here when I had lived seventy-five years so they say." Departing from his usual classicizing style, the artist reverted to vernacular Dutch in Gothic letters, declaring this a portrait grounded in life and experience. A direct gaze confronts the viewer with the presence of a stern man nearing the end of his life. Three years later, Van Veen died at the age of seventy-nine, while Heemskerck was still abroad.
Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem)

The Dutch School painters can be dated as Early Netherlandish (1400–1500), Dutch Renaissance (1500–1584), and, later, Dutch Golden Age painting in the United Provinces. The detailed realism of Early Netherlandish painting, led by Robert Campin and Jan van Eyck in the 1420s and 1430s, is today generally considered to be the beginning of the early Northern Renaissance in painting. This style was greatly respected in Italy, but there was little reciprocal influence on the North until nearly the end of the 15th century. Despite frequent cultural and artistic exchange, the Antwerp Mannerists (1500–1530) were unrelated to Italian Mannerism. Among notable northern painters were highly individualistic artists such as Hieronymus Bosch and Pieter Bruegel the Elder who developed styles that were imitated by many subsequent generations. In the 16th century northern painters increasingly traveled to Italy, so the art of Michelangelo and Raphael and the late Renaissance Mannerism had a great impact on their work. Hieronymus Bosch and Geertgen tot Sint Jans are well-known examples of fifteenth- and sixteenth-century Dutch painters. In the northern Netherlands, the Reformation brought religious painting almost completely to an end. Portrait painting was slow to spread from the elite to new riches. By the end of the 16th century, artists such as Karel van Mander and Hendrik Goltzius collected in Haarlem in a brief but intense phase of Northern Mannerism that also spread to Flanders. Between 1605 and 1635 over 100,000 paintings were produced in Haarlem. Rembrandt van Rijn, Frans Hals, Johannes Vermeer, Jacob van Ruisdael, and Jan Steen are just a few names form the seventeenth century.





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