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Iola's promise - movie film screenshot

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Iola's promise - movie film screenshot

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Summary

Iola, an Indian girl, is held captive by a gang of cutthroats. She is rescued by Jack Harper, a prospector. In gratitude, she promises to help him to find gold, and, when his fiancee is about to be burned at the stake by her own tribe, she repays him by sacrificing her own life.
J167112 U.S. Copyright Office
Copyright: Biograph Co.; 11Mar1912; J167112.
Camera, G.W. Bitzer.
Mary Pickford, Alfred Paget, Dorothy Bernard, Frank Opperman, Kate Toncray, William Carroll, Henry Lehrman, Charles Hill Mailes, William J. Butler, Antonio Moreno, Charles Gorman, Kate Bruce, J. Jiquel Lanoe, Charles H. West, Harry Hyde, Robert Harron, Frank Evans.
Biograph production no. 3928.
Paper print shelf number (LC 2533) was changed when the paper prints were re-housed.
Additional holdings for this title may be available. Contact reference librarian.
Filmed in California, around January of 1912.
Sources used: Niver, K. Early motion pictures, p. 164; The Griffith project, v. 6, p. 11-14; Biograph production logs, v. 2, p. 148; Internet movie database WWW site, viewed December 7, 2015.
Early motion pictures : the Paper Print Collection in the Library of Congress / by Kemp R. Niver. Library of Congress. 1985.

The height of the silent movie era (the 1910s-1920s) was a period of artistic innovation. Silent film stars had to use their faces to express every emotion — a skill that was lost on most actors when talkies replaced silent movies. Several silent stars including Wallace Beery, Shearer, Laurel and Hardy, Greta Garbo, and Janet Gaynor made a successful transition to talkies.

By 1908 there were 10,000 permanent movie theaters in the U.S. alone. For the first thirty years, movies were silent, accompanied by live musicians, sound effects, and narration. Until World War I, movie screens were dominated by French and Italian studios. During Great War, the American movie industry center, "Hollywood," became the number one in the world. By the 1920s, the U.S. was producing an average of 800 feature films annually, or 82% of the global total. Hollywood's system and its publicity method, the glamourous star system provided models for all movie industries. Efficient production organization enabled mass movie production and technical sophistication but not artistic expression. In 1915, in France, a group of filmmakers began experimenting with optical and pictorial effects as well as rhythmic editing which became known as French Impressionist Cinema. In Germany, dark, hallucinatory German Expressionism put internal states of mind onscreen and influenced the emerging horror genre. The Soviet cinema was the most radically innovative. In Spain, Luis Buñuel embraced abstract surrealism and pure aestheticism. And, just like that, at about its peak time, the silent cinema era ended in 1926-1928.

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01/01/1912
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Library of Congress
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