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Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican

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Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican

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Summary

Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?))

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Date

1545 - 1559
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Source

Metropolitan Museum of Art
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Copyright info

Public Domain Dedication (CC0)

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nicolas beatrizet
nicolas beatrizet
michelangelo buonarroti
michelangelo buonarroti
antonio salamanca
antonio salamanca
engraving
engraving
prints
prints
after michelangelo buonarroti
after michelangelo buonarroti
conversion
conversion
saul
saul
michelangelo and
michelangelo and
fresco
fresco
pauline
pauline
chapel
chapel
pauline chapel
pauline chapel
vatican
vatican
italy
italy
16th century
16th century
french art
french art
high resolution
high resolution
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ultra high resolution