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Confederate Soldier [on the Battlefield at Antietam]

Confederate Soldier [on the Battlefield at Antietam]

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The Battle of Antietam (named after a creek near Sharpsburg, Maryland) occurred on September 17, 1862, and was known as the "bloodiest single day of the war." More than 26,000 soldiers on both sides were wounded or killed, including this Confederate soldier, who, according to the caption added by the Mathew Brady studio, "after being wounded, had dragged himself to a little ravine on the hillside, where he died." It is generally agreed that Brady and his photographers, who at this time still included Alexander Gardner, repositioned some of the recently dead at Gettysburg, and one may question the ultimate, artful arrangement of this Confederate soldier as well. With or without the physical intervention of Gardner, the photograph remains a heartbreaking testament to the victims of war. The image was published by Brady as a carte-de-visite-a small, inexpensive, and extremely popular format for portrait photographs during the 1860s and 1870s.
Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.)

Hundreds of photographers whose names may never be known made their living following the armies during the Civil War. They worked out in the field tents and traveled at a moment’s notice. Photographers recorded the faces of tens of thousands of soldiers: new recruits and veterans—producing a vast likeness of American society. Many Civil War photographers began their careers as apprentices to Mathew B. Brady, America's self-appointed photographic "historian." Initially, a small corps of photographers copied maps and charts for the Union's Secret Service, which were distributed as photographic prints to both field and division commanders. During the Civil War, most photographers worked with the collodion-on-glass negatives, which required delicate and laborious procedures even in the studio. When the photographer was ready for action, a sheet of glass was cleaned, coated with collodion, partially dried, dipped carefully into a bath containing nitrate of silver, then exposed in the camera for several seconds and processed in the field darkroom tent--all before the silver collodion mixture had dried. Given the danger of their situation and the technical difficulty of their task, front-line photographers rarely if ever attempted action scenes. Civil War photographers produced vast photographic documentation of the Civil War. Despite decades of painstaking research by dedicated historians and Civil War buffs, a large number of the era's photographs remain unidentified.





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