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Caligola. Libretto. Italian Opera - Performance: Milano

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Caligola. Libretto. Italian Opera - Performance: Milano

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di A. Ghislanzoni ; musica di Gaetano Braga ; Teatro alla Scala, quaresima 1874. (statement of responsibility)
U.S. RISM Libretto Project.
Legal note--p. 2; "Note istoriche" from Svetonio's "Vita di Caligola"--p. 5.
"Maestro concertatore e direttore per le opere, Franco Faccio; sostituti: Perelli Edoardo e Pagnoncelli Gio. Battista"--p. 4.
"Maestro direttore dei cori, Zarini Emanuele; sostituto, Antonioli Guido"--p. 4.
"Primi violini solisti: Corbellini Vincenzo, Rampazzini Giovanni"--p. 4.
"Primo dei secondi violini, Bastoni Giovanni"--p. 4.
"Primo violino e direttore d'orchestra pel ballo, Marenco Romualdo; sostituto, Roncati Carlo"--p. 4.
"Prime viole a perfetta vicenda: Cavallini Eugenio, Di Carlo Francesco"--p. 4.
"Prima viola pel ballo, Santelli Giuseppe"--p. 4.
"Primi violoncelli a vicenda per l'opera: Truffi Isidoro, Quarenghi Guglielmo"--p. 4.
"Primo violoncello pel ballo, Nani Giovanni"--p. 4.
"Primo contrabasso per l'opera, Negri Luigi; sostituto, Jenuscky Giovanni"--p. 4.
"Primo contrabasso al cembalo pel ballo, Rossi Evergete"--p. 4.
"Primo flauto: per l'opera, Zamperoni Antonio; pel ballo, Rivetta Luigi"--p. 4.
"Primo ottavino, Cantu Giuseppe"--p. 4.
"Primo oboè: per l'opera, Confalonieri Cesare; pel ballo, Cesari Luigi"--p. 4.
"Primo clarinetto: per l'opera, Orsi Romeo; pel ballo, Sassella Luigi"--p. 4.
"Primo fagotto: per l'opera, Torriani Antonio; pel ballo, Borghetti Giuseppe"--p. 4.
"Primi corni per l'opera: Laurini Domisio, Languiller Marco"--p. 4.
"Primo corno pel ballo, Mariani Giuseppe"--p. 4.
"Prima tromba: per l'opera, Falda Gaetano; pel ballo, Priora Eugenio"--p. 4.
"Primi tromboni: Bernardi Paolo, Biancalana Giuseppe"--p. 4.
"Bombardone, Castelli Antonio"--p. 4.
"Prima arpa: per l'opera, Bovio Angelo; pel ballo, Nardari Alessandro"--p. 4.
"Gran cassa, Rossi Gaetano"--p. 4.
"Organo e fisarmonica, Zarini Emanuele"--p. 4.
"Direttore di scena, Ronconi Sebastiano"--p. 4.
"Sostituto e buttafuori, Archinti Gaetano"--p. 4.
"Ispettore pel ballo, Viganò Davide"--p. 4.
"Rammentatore, Gilardi Canzio"--p. 4.
"Direttore ed inventore delle scene, Cav. Gerolamo Magnani"--p. 4.
"Sostituto al Signor Magnani, Giacopelli Giuseppe"--p. 4.
"Collaboratori della scenografia: Belo Pietro, Scaramuzza Camillo, Aschieri Guglielmo"--p. 4.
"Appaltatore, direttore ed inventore del macchinismo, Mastellari Gaetano"--p. 4.
"Vestiarista proprietario, Zamperoni Luigi"--p. 4.
"Attrezzista proprietario, Gaetano Croce e figlio"--p. 4.
"Fornitore proprietario dei pianoforti, Erba Luigi"--p. 4.
"Fornitore delle maglie, Enrico Beati"--p. 4.
"Fiorista e piumista, Borroni Teresa; parrucchiere, Ditta Venegoni"--p. 4.
"Giojelliere, Corbella Napoleone"--p. 4.
"Calzolaja, Maweroffer Rosa"--p. 4.
Personaggi: CAIO CALIGOLA. Pandolfini Francesco -- CASSIO LICINIO CHEREA. Bulterini Carlo -- LAVINIA/CESONIA. Fricci Baraldi Antonietta -- APPIO. Castelmary Armando -- MACRONE. Rossi Castagnola -- ATELLIO. Durand Maria Luigia -- PISONE. De Filippi Giovanni -- ORESTILLA. Cappelli Ferdinanda -- SAMBRO. N.N.--p. 3.
Performance: Milano, Teatro alla Scala, 1874. (venue)

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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01/01/1874
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Location

italy
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Library of Congress
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