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Matthijs Pool - Allegorisch portret van de schilder Rafaël

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Matthijs Pool - Allegorisch portret van de schilder Rafaël

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Summary

Allegorisch portret van de schilder Rafaël. Hij wordt gelauwerd door twee putti. Onder het portret vermoedelijk twee voorstellingen uit de klassieke geschiedenis. Op de piëdestal een achtregelig lofdicht in het Frans en in het Nederlands dat verwijst naar het zelfportret van Raphael, dat volgens het onderschrift in 1732 voor 875 gulden in Amsterdam is verkocht aan kardinaal Bibienne.

Since the 16th century, Dutch artists used prints to promote their art and access a wider public than what was possible for a single painting. During the Dutch Golden Age, (17th century), Dutch artists perfected the techniques of etching and engraving. The rise of printmaking in the Netherlands is attributed to a connection between Italy and the Netherlands during the 1500s. Together with the large-scale production, it allowed the expanding reach of an artist’s work. Prints were popular as collecting items, so publishing houses commissioned artists to create a drawing or a painting, and then print the work for collectors - similar to what occurs at publishing houses today. Dutch printmaking evolved rapidly, so in 16th-century etching prevailed over the engraving. Major Dutch Printmaker Artists: Hieronymus Bosch, Pieter Bruegel the Elder, Hendrick Goltzius, Rembrandt van Rijn, Anna Maria van Schurman, Adriaen Jansz van Ostade, Ferdinand Bol.

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Date

1732
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Source

Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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