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Ugo da Carpi - Raphael and his beloved

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Summary

Print showing Raphael standing before Margherita Luti, seated, looking up at him.

Title from Graphic sampler / compiled by Renata V. Shaw, Prints and Photographs Division. Washington : Library of Congress, 1979, pp. 24-28.

After Raphael (1483-1520).

Print originally part of Pembroke album, no. 11.

Graphic sampler, p. 25, no. 11

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Tags

raphael luti margherita active 16th century artists models love women allegorical prints chiaroscuro woodcuts color fine prints ugo da carpi ultra high resolution high resolution public domain art engraving italy prints woodblock prints library of congress
date_range

Date

01/01/1500
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Library of Congress
link

Link

https://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

label_outline Explore Artists Models, Ugo Da Carpi, Chiaroscuro Woodcuts

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raphael luti margherita active 16th century artists models love women allegorical prints chiaroscuro woodcuts color fine prints ugo da carpi ultra high resolution high resolution public domain art engraving italy prints woodblock prints library of congress