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Summary
Oval chiaroscuro woodcut by Ugo da Capri, 1486-after 1532; After Parmigianino, published by Andreani.
Bartsch VII 8, 2nd state. Mayer I: 726 (24); QJ 60. Monogram of Andreani in lower left corner of block.
Marsh Collection.
Ref. copy may be in LOT 4246.
This record contains unverified data from caption card.
Caption card tracings: Mythology Circe; Drinking; Art works.I. Mazzuoli, Francesco, called Il Parmigianino, 1503/5-1540. II. Andreani, Andrea, 1540-1623. another impression, Pembroke album.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.